Tezuka Osamu’s gekiga show some artistic experimentation, but also dig further into his conservative ideas about gender and sexuality, which were more ignorable in titles aimed at wider audiences. Two stories in particular, Apollo’s Song and MW, hammer in how much of his work was steeped in heteronormativity and homophobia.
The framework of “[cis character] must pretend to be [“opposite” gender] before restoring their [femininity or masculinity]” invites biological determinism by making the plot’s stakes dependent on the successful concealment of the main character’s “true” (here, meaning “assigned-at-birth”) gender. The idea of a “true” biological gender is itself a transphobic trope that does harm to the gender-nonconforming communities that genderbending manga purports to represent.
FAKE is a BL mystery-drama manga originally published between 1994 and 2000. The dominant emotional line throughout the series is the evolving relationship between detectives Dee and Ryo. However, just as important as the mysteries and the growing romance is the found family that the detectives build and the support it provides them.
I related to given‘s Mafuyu in a way that was different from how I’d ever connected with a character before. He was queer. He was coping with loss. He was socially awkward. And, most importantly, he was autistic-coded to the max.
I knew Our Dreams at Dusk: Shimanami Tasogare would be the series that got me back into manga as soon as I saw a cover image. The fourth volume features two women in wedding dresses, clearly getting married to each other. There were no pretenses; it wasn’t open to interpretation. This was a queer manga and I loved that the cover didn’t hide it.
“Purity” is most commonly used as a shorthand for chastity or sexlessness, and generally refers to stories that don’t engage with sex at all. Though Yamada’s sincerity and innocence is part of Kase-san‘s appeal, the way it engages with the girls’ sexuality is just as important. Sex does exist in Kase-san, and while the series focuses primarily on Kase and Yamada’s emotional relationship, it also explores their physical relationship and sexual attraction to each other from the very first chapter.
Queerness opened up a new world, one in which male and female were no longer black-and-white concepts. Gender became this beautiful shade of gray that I didn’t want nor need to be boxed into. The gateway for this freedom was in the queer bodies of Thomas.
Inevitably, when I do any kind of public talk about Yuri or LGBTQ comics, someone will express dissatisfaction at mild school life romances or I’ll be asked for recommendations for manga about “real” lesbians. As we move through the 100th anniversary of the Yuri genre, it seems time to address this issue—not once and for all, as the genre is changing as rapidly as the languages that describe it, but for now.
Media presents a certain set of common tropes that informs much of our idea about love and what it “should” look like. Bloom Into You interrogates these tropes, making it a story that provides important queer representation in fiction while also talking about representation in fiction within the story itself.
The last few years have seen a boom in the English-language yuri market, with more and more manga about queer romance between women making it to shelves. But with all these choices, where does a curious reader start?
Kingdom Hearts is mostly known for two key reasons: the increasingly convoluted mess of a timeline, and the LGBTQ-skewing elements of the characters and their relationships. Kingdom Hearts is really gay, and the fans definitely seem to know it.
Accepting that you’re not what’s considered “normal” by society is never easy. For me, it was accepting myself as a man romantically attracted to other men. Surrounded by a culture hostile to anybody that didn’t fit the cishet norm, I discovered myself through something very unlikely: otoge, or otome games.
Sound! Euphonium drew an audience of sapphic women due to the heavily implied romantic relationship between its two leads, but the show ultimately failed to deliver. Years later, however, the spin-off film Liz and the Blue Bird, centered around side characters Nozomi and Mizore, provides audiences with the explicit queer representation many Euphonium viewers found themselves lacking.
Osamu Tezuka is considered one of the most influential artists in the manga and comic industry. But who inspired Tezuka? It’s common knowledge that he was a huge Walt Disney fan, but there’s an influence on Tezuka that isn’t as well known: the Takarazuka Revue.
What truly sold me on Scum’s Wish was that it was a romance that didn’t play by the rules. The series promises sex drama instead of sex comedy, a romance where people are flawed, ugly, disappointing creatures rather than glossy cartoon stereotypes.
Soubi Yamamoto is a wunderkind who could fit right in as an anime protagonist. Premiering as a director at just 20 years old, Yamamoto hit the ground running and hasn’t let up, becoming well-loved among fans of indie BL for her This Boy… series of OVAs.
Rutaro Hina, 21, is a newcomer manga artist from Tokyo whose recent work focuses on trans issues in Japan. This interview is in both English and Japanese. このインタビューは英語、日本語両方でご覧になれます。
The Future Diary comes with a laundry list of caveats, especially regarding how it depicts women, LGBTQ+ characters, and sexual violence… but there’s just something about its over-the-top camp aesthetic and murderous heroine that really appeals to me.
Seldom is gay manga as wholesome as Go For It, Nakamura!, but this eleven-chapter manga is as soft and sweet as it gets. The comical hijinks and silly conflicts resemble the older romances of the ‘90s anime scene, becoming a window into what could have been if LGBTQIA entertainment had become more mainstream way earlier.
No video game has ever hit me quite as hard as Persona 4 did. From Chie Satonaka’s very first moment on-screen, I related to everything about her.
