The Sound of Depression: Liminal spaces, sound design, and Super Cub
Ruminations on everyone’s favorite motorbike anime, the pandemic, and my favorite topic: liminal spaces.
Perspectives Category
Results-
-
A Double Edged Sword: Reconsidering Moe Through a Neurodiverse Lens
Many criticisms of moe characteristics stem from the idea that these girl characters are created to be appealing to male viewers, and therefore cannot be relatable to any real woman in the audience. However, so-called moe series have yielded several characters that are extremely relatable to the neurodiverse female experience.
-
Slut-Shaming and the Fetishization of Queer Childhood: A love letter to Alois Trancy
Since his introduction, despite the fact that he’s a character quite hated by the audience, I’ve loved the Earl Alois Trancy as a multi-layered character that carries many intertwined themes around child abuse, queerness, genre influences and slut-shaming.
-
Yuri!!! On ICE and the revolutionary portrayal of queer Slavic representation
Of all the amazing things about the show, one of the most striking to me was the revolutionary way it portrayed the intersection of queer and Slavic identity.
-
Reading Code:Realize as Queer Allegory
You wouldn’t expect an otome game like Code:Realize to have themes that resonate so strongly with common queer experiences. In many ways, the game follows genre conventions, with a heterosexual romance story following a singular heroine and a cast of attractive men. Yet it spoke to me, an enby transgender man, by exploring themes of inner discovery, found family, and self-love.
-
How BL and Yuri Helped Me Face My Sexuality
It took years of consuming BL and Yuri to finally face my truth: that I am queer.
-
Boys Run the Riot, Visual Kei, and Gender Euphoria Through Fashion
Gender identity, self expression, and ethnicity are so intertwined that it would be hard to discuss one without discussing the others. As a Japanese trans man, all of these things have come into play in relation to my self-expression and identity. One of the things I found solace and euphoria in, as a teenager, was clothing.
-
Love Me for Who I Am is inclusive, but falls short for some non-binary people
The Love Me for Who I Am manga is educational on how not to treat nonbinary people, but it’s not enough and needs to do better.
-
Against the World: Madoka Rebellion, saviorism, and abolitionist schooling
As somebody who has witnessed repeatedly the failure of would-be individual saviors to undo entire oppressive systems, I want to try to come to a deeper understanding than what is afforded on the surface by Rebellion’s final twist. What happens when hope is institutionalized? How do oppressive ideologies shape the worlds we can imagine? And the question that has haunted me most: if in the moment we destroyed an oppressive world we were given the full power to create a new one before we had any time to heal, would we like what we make?
-
How Berserk’s Casca challenges the myth of the “Strong Black Woman”
Black women always have to be strong. Society thinks we have some superhuman ability to withstand trauma. We are depicted this way all over the media to devastating results. I want to talk about Casca, a character who stands as the antithesis to this extremely harmful stereotype.
-
Magical Girls as Metaphor: Why coded queer narratives still have value
Even now, with the vast increase of explicit queer womxn’s representation on television over the past decade, I still see myself in Sailor Moon and The iDOLM@STER more than I see myself in Orphan Black.
-
Home is Where Your Friend Is: Embracing diverse female friendships in Satoko and Nada
Satoko and Nada’s friendship is a great example of why friendships between women with disparate lives are necessary, as the two embrace their differences despite their vastly different backgrounds, protect each other, and offer one another a semblance of family when they’re far from home.
-
Joy in the Apocalypse: Ruminations driving through desolation
At first glance, Ashinano Hitoshi’s 1995 sci-fi world seems no more than a quiet and rural part of modern Japan, but the easygoing protagonists live amidst ruin in what would have been the metropolitan Tokyo Bay. Entire cities have sunk and an untold number of lives have likely been shattered, yet the comic takes solace, even joy, in depicting the beauty of the world as humanity sits back to accept its fate.
-
How Kingdom Hearts helped me assert my gender identity
When I played Kingdom Hearts Union X Cross (then called Unchained X) for the first time in 2016, I felt pressured to play as my assigned gender (female), due to the lack of options for both Black female video game characters and non-binary characters. As someone who was still exploring their gender identity and expression, this was extremely stifling.
-
I Am One Yet Many: Plurality representation in the When They Cry Series
The horror genre has historically stigmatized mental health conditions, but Ciconia normalizes plurality and frames it as explicitly positive, making me feel comfortable in trying to express myself as plural.
-
Ranma 1/2 and the Anything-Goes School of Accidental Trans Narrative
While Ranma 1/2 is officially the story of a cis boy dealing with a body-morphing curse, the series also accidentally provides a resonant allegory for transmasculine identity.
-
Beautiful, Broken, and Queer: The complicated interplay of sexuality and trauma in Banana Fish
Ash is a problematic depiction of a queer assault survivor, but also one that claws open some of my most private, difficult wounds.
-
Indecent Exposure of the Soul: Trauma and recovery in Gintama
When I found Gintama, I was going through the worst depressive/anxious episode of my life. The thought that plagued me the most was: “How am I going to live like this?” Of all the people in the world, I was not expecting Sakata Gintoki to give me an answer.
-
After the Injury: Rediscovering my athletic identity through After the Rain’s Akira
Series that focus on non-cis male athletes in a serious, competitive environment, let alone deal with the mental health issues that some athletes face, are rare and valuable. I was absorbed with how much I saw my own relationship with tennis in Akira’s relationship with track, and that it wasn’t cute. It hurt.
-
Playing My Song: Queer autistic representation in Given
I related to given‘s Mafuyu in a way that was different from how I’d ever connected with a character before. He was queer. He was coping with loss. He was socially awkward. And, most importantly, he was autistic-coded to the max.
