Nascimento studied the work of one of Japan’s famous feminist scholars, Kishida Toshiko (1864 – 1901), and her place of study is especially meaningful given that Tohoku University was the first university to accept women as students back in the early 1900’s. Nascimento is also known as Mmyoi and is the creator of The Bride of the Fox.
With positive reviews and high ratings, Yasuke is a critical success. However, I found Yasuke lacking and wanted some perspectives on this story that was supposed to center a Black lead from people other than the mostly white critics who were praising it. Thankfully, I found several overlooked Black reviewers highlighting how the show falls short of the source material’s potential.
Michele Kirichanskaya recently had the chance to interview Budjette Tan about working as the writer of Trese and the series’ recent anime adaption on Netflix
Racebending, or drawing characters as races other than what they were intended as, is not new to fandom; however, this particular iteration was to counter the fact that the person took it upon themself to aggressively white out the existence of canonically Black and brown characters in anime.
Media from all over the globe contains an abundance of pro-law enforcement storylines and themes. Anime and manga are not exempt from this, with some of the most successful franchises in both mediums espousing dangerous, pro-cop social politics. That’s why this piece aims to introduce new and old anime fans to the concept of copaganda, highlight some of the most popular ways the practice appears so that it can be regularly identified, and offer some direction on how fans can still enjoy the mediums in spite of these prevalent themes.
Despite its social justice-minded storytelling, Carole & Tuesday can be a frustrating watch as it swings back and forth between exploring these characters as nuanced individuals and perpetuating harmful stereotypes of Black masculinity.
Anne Yatco is a longtime actor with a varied and fascinating career. She entered the world of acting after spending four years as a full-time forensic scientist, worked with the all-WOC sketch group BAE*GENCY, and co-starred on the Grey’s Anatomy spinoff Station 19. She’s recently pivoted primarily to working in voiceover, where she’s best known for playing Nobara in the English Jujutsu Kaisen dub.
Anime with multiple Black leads, though not unheard of, were rare. I had to know if this was a fluke, or an elaborate marketing ploy to bait viewers like me, who eagerly soaked up every ounce of non-stereotyped diversity they could get their hands on. What I discovered was so much more than that. The fun of Cannon Busters isn’t just its inclusiveness, but in the way it doesn’t take itself too seriously.
With a cast mostly of “dangerous criminals” identified by the crimes they’ve committed instead of their names, I assumed Akudama Drive’s dystopian setting would act as little more than set dressing in a story that ultimately reinforces, rather than challenges, the stigmatization of criminalized people. I have rarely been happier to be proven wrong. Echoing the calls of the prison abolition movement, Akudama Drive delivers a powerful and subversive statement against the criminal legal system, one that goes beyond slogans like All Cops Are Bastards and questions the basis of our conception of justice.
The initial premise promised colorful heists alongside an interesting story, but it ultimately failed its characters of color.
While it may appear on the surface to be an overtly feminine, traditional fashion, Lolita’s history and present iteration are rooted in rejection of the male gaze and societal expectations for women, as well as the building of women-centric community spaces. Of course, these things don’t make it feminist outright, but the result is a subculture well-positioned for the potential to embrace feminist ideals of choice, self-empowerment, and autonomy.
When your cries are constantly dismissed under thinly veiled apologies, it can be hard to feel seen or heard, but that is exactly what happened when I stumbled upon From the New World, the anime adaptation of Kishi Yusuke’s novel by the same name. I ventured into the series expecting a casual sci-fi horror but was instead met with a much deeper allegory for discrimination that paralleled my feelings of being a minority in America.
Of all the amazing things about the show, one of the most striking to me was the revolutionary way it portrayed the intersection of queer and Slavic identity.
There are a lot of assumptions packed into the belief that the best voice actor always gets the role. The statement alone implies that we live in a true meritocracy, which is false. FUNimation, easily the biggest producer of English anime dubs, routinely casts from an extremely small and extremely white pool of voice actors. The idea of “casting the right person for the role” is precluded by insidious biases and practices such as lazy casting, where voice directors will rely on a few go-to voice actors they prefer to work with in lieu of seeking out a wider pool of talent.
As somebody who has witnessed repeatedly the failure of would-be individual saviors to undo entire oppressive systems, I want to try to come to a deeper understanding than what is afforded on the surface by Rebellion’s final twist. What happens when hope is institutionalized? How do oppressive ideologies shape the worlds we can imagine? And the question that has haunted me most: if in the moment we destroyed an oppressive world we were given the full power to create a new one before we had any time to heal, would we like what we make?
Carole and Tuesday are just two girls dreaming of becoming musicians. While the series initially follows the girls’ rise to stardom, the focuses shifts to examine how music can fight back against oppression, but leads to a simple and unsatisfying ending.
As it stands, no matter how Attack on Titan ends, its legacy will be a divisive one: a lauded masterpiece to some and despised propaganda piece to others. However, there is a strong argument to be made that Attack on Titan is a far more nuanced tale than its most vehement critics accuse it of being.
Black women always have to be strong. Society thinks we have some superhuman ability to withstand trauma. We are depicted this way all over the media to devastating results. I want to talk about Casca, a character who stands as the antithesis to this extremely harmful stereotype.
A Q-and-A session with the Kyoto-based Afro Lantinx YouTuber who helped organize the BLM Kansai march in early June. (Available in Japanese and English)
Yes, even the horny catgirl anime can be a lesson in real-world inequality.
