Chatty AF 182: Ace/Aro Representation in Anime and Manga – Part 2 (WITH TRANSCRIPT)
Dee, Alex, and Cy return to their discussion of asexual and aromantic coding, and dive deep into the works of Uta Isaki!
LGBTQ+ Tag
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Ugly Things Cannot Be Loved: Penguindrum and the dilemma of Yuri
Yuri’s assault on Ringo is emblematic of how the tensions and arguable flaws in Penguindrum point to larger tensions and unresolved questions in our movements for transformative justice, abolition, and queer liberation.
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Chatty AF 181: Ace/Aro Representation in Anime and Manga – Part 1 (WITH TRANSCRIPT)
Dee, Alex, and Cy discuss asexual and aromantic coded characters and several new manga with explicit ace and/or aro leads.
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Can’t Quite Be Your Sister: Looking at the Japanese laws relating to gender identity disorder
Japanese blogger Honeshabri breaks down laws regarding the stipulations trans people face in changing their gender markers in Japan.
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How Otherside Picnic masterfully uses horror to explore abuse and show healing queer love
Otherside Picnic makes a wonderful addition to the canon by centering queer love and examining how survivors of abusive relationships can heal from their pain and trauma in order to move onto healthier relationships.
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Airborne Onnagata: Viewing Macross Frontier’s protagonist through a genderqueer lens
After an initial viewing of Macross Frontier, most viewers would comment on a handful of topics. Not limited to, but including: the series’ back-to-basics approach reminiscent of the original 1982 Macross, its tendency to adhere a bit too closely to then-current trends, and unending talk of how awful Alto is. However, on a recent rewatch, a new thought clicked with me: what if Alto was fighting with some intense dysphoria?
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The Transient Queerness of Fruits Basket
This show makes me laugh, it makes me cry, but more than anything, it makes me hope. It makes me hope that no matter how bad things get, there will always be a second chance waiting just around the corner. Even two decades after the original manga began publishing, it shines just as brightly. But I’m not here to talk about how much I love Fruits Basket. Today, I’m here to explore one of its most under-discussed problems: its portrayal of queerness.
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Everybody Loves Bridget: The origins of otokonoko and birth of a trans icon
Amidst of a lot of bad news in summer 2022, one thing trans people found to celebrate was the transition of Brisket—or rather Bridget, an iconic video game character with a fraught history (in the games and in the real world) who came out as trans. But there’s a lot more to this story than many are fully aware of, and the character who defined an archetype so powerful it became a gender identity deserves to have her whole story told.
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Remixing Expectations: Queer representation and gender euphoria in D4DJ Groovy Mix
Particularly in how it integrates canonical queerness and themes of gender identity within the text, D4DJ manages to go places that very few franchises in its peer group manage to do.
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Bayonetta 3 Validates Every Insecurity About My Life, Relationships, and Sexuality
Between my feelings about the ending of the third game, the drama surrounding its production, and the series’ long-standing controversies, I just felt drained as I watched Bayonetta 3’s credits roll. Which sucks, because the previous two games left me feeling nothing but energized and wanting to be a bolder, braver version of myself.
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“If I Was Born As A Girl…”: Transfeminine desire in Stop!! Hibari-Kun
Stop!! Hibari-kun treads plenty of expected ground when it comes to teenage romantic comedy because, at its core, the narrative is cut from the same striped cloth as Urusei Yatsura. However, Hibari isn’t an alien in a bikini or a widowed landlady—she’s a trans teenager.
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Digging Under the “Strong Female Character” Surface: The exploitation of women in Claymore
Going into it hoping to experience an underappreciated classic, I was met with a series that routinely undervalues the very women that define its main appeal, to the point of ritualistically torturing them on-page and treating what makes up their person as disposable.
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The trans resonance of Haibane Renmei
The series’ use of transformation and body horror resonate with the physical experiences of dysphoria and transitioning; its depictions of mental health struggles, particularly self-harm and suicide, may find special meaning with trans audiences; it thematically explores names as potential sources of both trauma and self-actualization; and the characters of Haibane Renmei strive to build a safe community that promotes healing and growth. Yet I have never seen this two-decade-old series discussed through a trans lens, despite the wealth of potential it has to offer. That ends today.
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My Fave is Problematic: Bleach
Bleach means quite a lot to me. It’s the foundation for so much of my work as an artist and writer that breaking it down into its smaller parts would be very difficult. Reading it carried me through high school as a deeply insecure, deeply in-the-closet teenager, and even through early college when the series ended in 2015.
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Finding models of healthy masculinity in BL manga
In retrospect, I recognize those first fanfics as something that let me safely imagine myself as a boy in a relationship with another boy. That desire to find media that would let me project myself into the positions of these male characters was what led me to discover BL.
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“I am a shadow… The true self…”: Identity and social norms in Persona 4 Golden
Ultimately, the game universe makes clear that “facing yourself” is more concerned about fitting into society than personal growth. And though individual characters may seem to subvert normative expectations of gender and sexuality, the game ultimately reifies those roles, forcing all characters into societal norms that stand contrary to the glimpses of their more rebellious authentic selves.
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Carole & Tuesday director Hori Motonobu on the series’ writing process and trans characters
The series saw praise for its well-characterized Black heroine, optimistic outlook and its swing-for-the-fences tale of pushing back against injustice (including a spot in our 2019 recs list). At the same time, it’s received its share of criticism for the way that core optimism lends itself toward over-simplification of fraught issues, as well as its stumbles in portraying Black masculinity and queer and trans characters.
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“Differences Die At The Door”: A post-mortem of Netflix’s Cowboy Bebop
Few adaptations miss the point of their source material as brazenly as Christopher Yost’s series. There are many avenues to critique it from, ranging from casting decisions to direction to the script itself, and much ink has already been spilled on all of these. But it’s prudent to get even more granular. If we trace each individual influence behind both Bebops, the fundamental failings of the Netflix show become even more apparent.
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Conformity, mob mentality, and intersectionality in Gatchaman Crowds Insight vs. Yurikuma Arashi
Both series, at the surface level, encourage their audiences to be mindful and critical of the ideas they’re asked to buy into as the price of inclusion. However, there is a stark contrast between how these series portray the underlying power dynamics, prejudices, and active malice behind these policies, as well as the particulars of their respective calls to action. This reveals a difference in priorities; where Insight offers vague hope and comfort with no clear call to action, Yurikuma actively aims to elevate marginalized voices.
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What Role Are You Playing? Communication, queerness, and neurodivergence in Yuri is My Job!
Miscommunication as narrative conflict is often linked with contrivance and bad writing—and no genre faces this criticism more than romance. That’s what makes Yuri is My Job! so refreshing. In the process of building a will-they-won’t-they story, it explores the gendered, neurotypical, and heteronormative expectations that are built into social interaction.
