Accepting that you’re not what’s considered “normal” by society is never easy. For me, it was accepting myself as a man romantically attracted to other men. Surrounded by a culture hostile to anybody that didn’t fit the cishet norm, I discovered myself through something very unlikely: otoge, or otome games.
Sound! Euphonium drew an audience of sapphic women due to the heavily implied romantic relationship between its two leads, but the show ultimately failed to deliver. Years later, however, the spin-off film Liz and the Blue Bird, centered around side characters Nozomi and Mizore, provides audiences with the explicit queer representation many Euphonium viewers found themselves lacking.
Osamu Tezuka is considered one of the most influential artists in the manga and comic industry. But who inspired Tezuka? It’s common knowledge that he was a huge Walt Disney fan, but there’s an influence on Tezuka that isn’t as well known: the Takarazuka Revue.
What truly sold me on Scum’s Wish was that it was a romance that didn’t play by the rules. The series promises sex drama instead of sex comedy, a romance where people are flawed, ugly, disappointing creatures rather than glossy cartoon stereotypes.
Soubi Yamamoto is a wunderkind who could fit right in as an anime protagonist. Premiering as a director at just 20 years old, Yamamoto hit the ground running and hasn’t let up, becoming well-loved among fans of indie BL for her This Boy… series of OVAs.
Rutaro Hina, 21, is a newcomer manga artist from Tokyo whose recent work focuses on trans issues in Japan. This interview is in both English and Japanese. このインタビューは英語、日本語両方でご覧になれます。
The Future Diary comes with a laundry list of caveats, especially regarding how it depicts women, LGBTQ+ characters, and sexual violence… but there’s just something about its over-the-top camp aesthetic and murderous heroine that really appeals to me.
Seldom is gay manga as wholesome as Go For It, Nakamura!, but this eleven-chapter manga is as soft and sweet as it gets. The comical hijinks and silly conflicts resemble the older romances of the ‘90s anime scene, becoming a window into what could have been if LGBTQIA entertainment had become more mainstream way earlier.
No video game has ever hit me quite as hard as Persona 4 did. From Chie Satonaka’s very first moment on-screen, I related to everything about her.
Ladykiller in a Bind struck me on a very personal level. I’m a trans woman who is butch enough and scared enough that, while I am out in every other part of my life, I am not out at my workplace. Even coming out to my friends took incredible effort.
This musical, magical, swashbuckling school story comes together in an ending that packs a wonderfully metatextual and rebellious punch, serving as a commentary on—and rejection of—the “Bury Your Gays” trope and the historical convention of sad endings for queer characters.
While I may reject the concept of wedding dresses both as a feminist and an individual, as a transgender woman I feel differently. Within the form of that gown I see the ideal womanhood of my sister, my mother, and my grandmother that I’ve been denied since my birth. It’s a womanhood I desperately wish to be a part of.
Back when I could barely read and was living in the skin of my anime heroes, sexist tropes in anime never really crossed my mind. It was possibly that childish thinking that convinced me Dragon Ball was made for me.
Come for the neat animal facts, stay for the charming cast breezily ignoring gender norms.
While the romance between Sailors Uranus and Neptune has rightfully earned praise,Sailor Moon’s other explicitly queer relationship gets little notice. And that’s a shame, because Zoisite and Kunzite were remarkably progressive compared to both their contemporaries and what had come before.
Ask someone who plays fighting games to list trans characters and they’re probably going to struggle. It’s not exactly their fault, either: While indie games offer marginalized creators a chance to represent themselves and major Action/RPG franchises have worked to make their worlds more diverse, fighting games are one of the many genres lagging behind.
Love Live! has attracted legions of adoring fans, and you probably won’t be surprised to learn the core target demographic is straight men. So what is it about Love Live that attracts so many female and queer fans? And how do we as female and queer fans feel about being involved in a franchise that nominally accepts us but has not traditionally been for us?
The Banana Fish anime has sparked discussion around the chaste love story between Ash and Eiji. While the language we choose as English-speaking fans to talk to one another is its own sphere, we here at AniFem wanted to highlight how Banana Fish has been received by Japanese LGBTQ+ fans as well.
This is the story of an openly queer mangaka who really loves to write about women falling in love with other women.
It can be hard to find manga that shows both the struggles and joys of the awkward period of teen romance, especially if you’re not straight. That’s exactly why the Kase-san and… manga series is a breath of fresh air, a slice-of-life comedy that models what a healthy, queer romantic relationship can look like.
