2021 Spring Premiere Digest
The latest shower of premieres brought us a huge bouquet of new shows to watch!
Feature Category
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Non-Binary Orochimaru and the homophobic legacy of queer-coded villainy
From their first appearance disguised as a young woman to their dangly earrings and lilting English dub performance, Orochimaru carries many of the unfortunate hallmarks of a queer-coded antagonist, one whose most terrifying power includes the ability to inhabit the bodies of others in a bid for eternal life. Their portrayal, already mired in queerphobia, is complicated by the franchise’s later decision to portray Orochimaru as a character with a non-binary gender identity, the first canonically LGBTQ+ character in the franchise.
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We need more licensed doujinshi
I often want to share a cool story after reading it, but, as an avid reader of doujinshi, I find few outlets where I can share that passion. For all the interesting work indie publications can harbor, they are largely inaccessible to non-Japanese markets, making it difficult to share my passion with English fans.
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Chainsaw Man’s beautiful depiction of platonic relationships
Chainsaw Man, a Shonen Jump series by Fujimoto Tatsuki, has its main character, Denji, realize the value in having a strictly platonic relationship with the leading female protagonist, Power. How Denji reaches this conclusion is incredibly messy and more than a little frustrating in places; which is to say that it epitomizes the uncomfortable struggle of navigating platonic relationships with someone you have the potential to be attracted to, a common aspect of growing up for many, and it’s both heartwarming and validating to see a character experience this part of life in a shounen manga.
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ADHD as Investigation: How Hyouka’s Chitanda carves space for herself as a leader
ADHD is often maligned as strictly a lack of the willpower necessary to concentrate, or a simple inability to ignore distractions. But through her investigations, Chitanda exhibits behaviors characteristic of ADHD that contribute to, rather than hamper, her ability to lead herself and others.
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You Don’t Have to Kick Ass to Be Kickass: Shoujo fantasy and the value of the noncombatant hero
Over the years, the number of lady action heroes has slowly but significantly risen. And this is a good thing… for the most part. But the ability to enact violence shouldn’t be the only way we define our heroes, regardless of gender.
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1122: For a Happy Marriage explores how prescribed gender roles can damage marriages
1122: For a Happy Marriage examines two different married couples that are pressured to adhere to gender and allonormative roles within marriage, which ultimately damages their marital relationships.
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Misato Katsuragi lives an existential millennial nightmare
Evangelion takes place in the year 2015. Misato, 29 at the start of the anime, would have been born in 1986. With this knowledge, both American millennials and the members of Japan’s Lost Generation who came of age following Japan’s economic recession in the ‘90s may joke about how Misato is a millennial stereotype. However, this goes beyond a meme and into a message about processing pain, pressure and grief.
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“Black Should Sound Black”: The inherently racist politics of anime dubbing
There are a lot of assumptions packed into the belief that the best voice actor always gets the role. The statement alone implies that we live in a true meritocracy, which is false. FUNimation, easily the biggest producer of English anime dubs, routinely casts from an extremely small and extremely white pool of voice actors. The idea of “casting the right person for the role” is precluded by insidious biases and practices such as lazy casting, where voice directors will rely on a few go-to voice actors they prefer to work with in lieu of seeking out a wider pool of talent.
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Anime’s Glass Ceiling: what keeps women out of the director’s chair?
The popularity of women authors like Itagaki, Takeuchi, Takahashi, and Arakawa led to their work being adapted into similarly successful anime. But most of these anime, if not all of them, were directed by men.
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Rise of the Villainess: How the reborn bad girls of otome games are defying shoujo stereotypes
In the past few years, the villainess has seen something of a renaissance. Rather than being the subject of ridicule or comeuppance, she’s being celebrated, given the opportunity to come into her own as the subject of an emerging theme in an ever-expanding field of light novels, manga, and anime. Today I’d like to talk a little bit about these ojous: who they are, where they come from, and why in the 21st century their success demonstrates an alternate world where being smart, hard-working, and kind gets you far.
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No Rest for the Wicked: Criminality and justice in Psycho-Pass
Psycho-Pass’ villains are heinous in their own right, but they exist to also criticize the larger failure of a deeply flawed justice system.
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Discordant Tones: Oversimplifying music as resistance in Carole & Tuesday
Carole and Tuesday are just two girls dreaming of becoming musicians. While the series initially follows the girls’ rise to stardom, the focuses shifts to examine how music can fight back against oppression, but leads to a simple and unsatisfying ending.
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Your Lie in April: An Oedipus Complex and a Manic Pixie Dream Girl have a meetcute
Your Lie in April has high ratings on almost all of the major anime databases. Unfortunately, I, the Feminist Killjoy, am here to say that Arima has an Oedipus complex and Kaori is a Manic Pixie Dream Girl.
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“What If Our Greatest Pain Speaks to Us?” Using the supernatural to explore mental health in Bunny Girl Senpai
If I feel invisible, then I turn invisible. If I feel conflicted about myself, I split into two people. If I suffer from verbal bullying, then I wake up with cuts and scrapes all over my body. This is Adolescence Syndrome, the key concept behind Rascal Does Not Dream of Bunny Girl Senpai, which the series uses to explore various social anxieties and mental health issues that can affect young people but which often go unnoticed.
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Tower of God’s Rachel Problem: Fandom, female antagonists, and the risks of overly vague writing
While Rachel did do many things wrong, and this is definitely not a defense of that (especially as she is coded as a blonde white woman in the art), her character’s depiction can open a larger discussion about portrayals of female antagonists, and patterns of online fandom misogyny.
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Thinking Outside the Circle: Accessibility and education in Witch Hat Atelier
Using its “magical school” premise, Witch Hat Atelier explores diversity among students and argues for the importance of accessibility throughout society, but especially in education. With supportive mentors and a focus on individual accommodation, anyone really can wield their own kind of magic.
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“Who the Hell Do You Think We Are?” Gurren Lagann’s blunted message of liberation
A distinct antiauthoritarian spirit runs through Imaishi’s works. Yet nowhere is the director’s call for collective action more realized, but most glaringly compromised, than in the show that made him a household name: Gurren Lagann.
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World-Building a Queer Paradise in My Next Life as a Villainess
So, is the world of Villainess a queer utopia uniquely laid out so that Catarina’s love(s) can bloom? Or is the question of world- and story-building a little more complicated?
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The Post-Apocalypse Which Enforces Gender Roles: Code Vein
The game’s cast is gender balanced, with a roughly equal number of male and female characters, and the female ones play an important role in driving the story. While that sounds great on paper, the problem lies in the gender-essentialist ways that “importance” works out.
