ToraDora! tells a story about the bizarre tangled intricacies of teenage love. It also tells a story about how everyone has issues, inner turmoil, and inner selves that they keep concealed, usually with the intention of preserving a certain image of themselves for the people around them.
By primarily telling events from Kyoko’s point of view, Skip Beat! has often conformed to the pattern of telling a “single story.” However, in Volumes 37 and 38, the manga’s perspective shifts in a big way, giving readers an unexpected glimpse of Kyoko’s mom Saena through her own eyes.
Many of Princess Principal’s stories discuss the sharp social and economic divisions present in its world. But it’s the upbeat and inspiring Episode 7 that offers the show’s most nuanced depiction of inequality to date, as our central cast must acknowledge their own privilege—and find a better way forward.
When this season started out, Clean Freak! Aoyama kun had a huge uphill battle to win my respect. But it won me over. Aoyama-kun is good. And it’s stayed good, mostly due to the compassion it shows for its ever-expanding ensemble cast.
Free! sent me on a wild emotional ride that convinced me that, when it comes to creating fanservice for girls, it’s not simply a matter of reversing panty flashes into brief glimpses of, well, briefs.
In the realm of josei manga, Everyone’s Getting Married tries to “have it all” by combining the drama of a romance novel with some surprisingly modern and feminist takes on its heroine’s life choices and the modern Japanese workplace to create something entirely new.
Transsexual fiction/fantasy is a genre of stories featuring the transformation of the main character from one sex to another, usually through coercion or by accident. While these stories can often resonate with trans viewers, they can also feature a variety of problems.
Interviews with Monster Girls strengthened my conviction to study conditions like my own. As demi-humans with unusual biological conditions, the characters strive to understand their biology and their place in the world.
When I found the manga Girl Friends, I was not only excited to see a yuri that seemed made for me and other queer women; I also felt as though I related to the girls on a very intimate level because of the authenticity presented in their relationship.
The success of My Hero Academia can be attributed to many factors, but most prominent among them, at least to me, has been Horikoshi’s ability to break from traditional narratives to create a truly unique story. One such example is in his handling of female characters in that shounen staple: the tournament arc.
There’s no good reason not to pay every single interpreter for their work. There are, however, a couple of bad ones.
Sometimes wrenching but ultimately inspiring, Chihayafuru’s first volume quietly challenges traditional gender norms and offers the hope of a supportive community to anyone who’s ever felt like they didn’t quite fit society’s gendered expectations of who they’re “supposed” to be.
Referring to a person who dresses and passes as a woman as a “trap” is extremely dangerous. The idea that trans women are traps implies that they cause harm to (cis) men and women, which perpetuates the fear-mongering that allows society at large to defend people who murder trans women.
Nobody can deny that Bruno is a very smart prince. But what truly makes him special is his hyper-awareness of the invisible forces that have allowed him to devote so much time to the pursuit of knowledge.
Yuri manga is an entire genre of comics about girls and women falling in love. So why is it so often overlooked by queer and feminist fans?
Over the past few years, josei manga has had a renaissance in the West as readers rediscover older titles and publishers release new ones. It’s a glorious turn of events for josei fans like myself and others, but it also begs a few questions. Namely, why is this happening now and not sooner?
ClassicaLoid may be first-and-foremost a wacky comedy, but it’s also proven itself adept at quietly challenging cultural norms about gender and sexuality. Guess it’s true you should never judge a book by its cover—or a series by its goofy premise.
Suburban horror plays on the anxieties of people living in these quiet communities, and as such, they tend to focus on the victimization of women. By making Kira’s first victim, Reimi Sugimoto, an active player in the story through the final act, Jojo’s reverses that victimization and turns into something far more empowering.
Murder and despair are normally nowhere near the magical girl archetype, but that’s changing in some recent and disturbing developments.
Because moe characters are courageous in their fear, I’m able to find inspiration in these girls who step out from hiding to stand victorious beside their friends or charge into battle for the sake of love.
