mono – Episode 1
It has some big shoes to fill, coming from the same creator as Laid-Back Camp, and it makes a strong start as a hobby show.
It has some big shoes to fill, coming from the same creator as Laid-Back Camp, and it makes a strong start as a hobby show.
Maybe I can’t ask Food for the Soul to singlehandedly cure my existential dread, but I do have high hopes for it as a PA Works original.
On one hand, this is fairly standard “refusal of the call to adventure” stuff. On the other, there’s a gendered element that gives this a different dynamic.
It’s clearly cooking with all the usual ingredients of a cyberpunk police procedural.
When money is a key motivation, ethics and the greater good are quickly abandoned. This theme is apparent in Season 1 of the anime, bubbling away ever-present in the background as Kana learns the magical girl trade, but comes to the forefront in subsequent material when the manga really starts to dig into the politics of the magical girl business.
The gremlin girl lead is charming enough to carry what could have been a fairly bland meta-humor fantasy concept, and I have tentative yet high hopes for the show going forward.
There’s a slightly surreal, fever-dreamy quality to this episode that means basically anything could happen and I’d say “sure.”
There’s nothing more Halloween-grade horrifying than a fun supernatural slice-of-life premise cursed by an obnoxious protagonist.
The show wants to do fan service capers but it also wants this character to read like a cutesy child and, arguably, represent the protagonist’s childhood. This is, as I’m sure you can imagine, a deeply uncomfortable combination.
She’s his mum, and his housekeeper, and will protect him with her life, but she’s also sooo clumsy and sooo hot and she just needs him to take care of her.
You can absolutely joke around about gender, drag, and attraction without stepping into awkward transphobic (or transphobic-adjacent) tropes, and if it can do that, honestly, All-Guys Mixer could be cute. At this early stage, I have no idea how it’s going to navigate all the ideas it’s playing with.
365 Days is a cute, classic fake dating caper with room for some deeper social commentary.
If all you want is a show that revels in the contrast between pretty anime character designs and gross characterization, hey, you might have a good time.
What do you mean, you’re on a mission to become ordinary? You seem pretty normal to me as you are, kiddo—dare I say bland.
Dungeon People is the story of a woman who has never relaxed in her life suddenly finding herself thrust into the role of protagonist in a chilled-out, cozy fantasy series.
I’m pleasantly surprised to report that despite the tsundere schtick and miscommunication issues potentially baked into this set-up, I found Kuze and Alya’s dynamic quite fun.
16bit Sensation is (unfortunately) a useful case study for what we talk about when we talk about character autonomy, active versus reactive characters, and how a narrative suffers when the agency of its female protagonists gets reduced.
I love a series that presents an interesting premise and then does absolutely nothing with it, don’t you?
Yatagarasu’s focus on the women themselves grants them a little narrative autonomy even if the system itself reduces them to political pawns being gracefully moved around a precarious board.
If this premiere wasn’t so sodden with fanservice I’d be inclined to call this charming and be intrigued for more, but as it is I’m left a little wary and weary.