Akebi’s Sailor Uniform – Episode 1
Akebi’s Sailor Uniform is a beautifully-put-together show with a voyeuristic undercurrent, that doesn’t necessarily affect the overall experience but leaves it (at least, leaves me) feeling… off.
Akebi’s Sailor Uniform is a beautifully-put-together show with a voyeuristic undercurrent, that doesn’t necessarily affect the overall experience but leaves it (at least, leaves me) feeling… off.
There’s nothing wrong with Slow Loop (except some potential yellow flags in the dynamic between these soon-to-be stepsisters, which I’ll get to in a second) but it just doesn’t earn the kind of gold star I know this genre can.
Personifying war machines (or just putting cute girls in them) is a trope by this point, and I want to say it’s not inherently harmful in and of itself. Still, I can’t shake the feeling that the very premise of this show relies on detaching killing machines from their historical (or current!) context. Yes, these girls represent assault rifles and are shooting assault rifles, but don’t worry about it, they’re only using them to shoot evil robots. And don’t they look cool?
This premiere isn’t keen to rush into the heart of the action and show Will being a cool badass holy warrior. It’s content to draw us in slowly, focusing on the relationship between Will and his undead guardians.
It’s the job of a hobby anime’s premiere (and this is listed as “slice-of-life” rather than sports, at least on Funimation) to show the protagonists getting hooked into the hobby in question. To throw the heroines into something new and to show that initial spark of interest, so the audience is inspired to join them week by week on their journey. But this first episode of PuraOre! just doesn’t have the emotional weight to pull this crucial work off.
A slow life show set in a fantasy world runs a dual risk: being too slow, and being a bad fantasy.
I’d assumed Mieruko-chan would be much more straightforwardly a zany comedy, juxtaposing the terrifying creatures of the beyond against Miko’s disinterest in engaging with them. But the pacing of this entire episode, and each individual apparition, leans way more on the horror aspect of this horror-comedy.
Technically, the general rule at AniFem is that we don’t cover children’s programming, but if we can make an exception for dear ol’ PreCure I figure I may as well shine a spotlight on PriMagi and see what’s going on over there, too. If you’re hungry for more officially-licensed all-ages magical girl content, you might want to join me in the audience.
Fena has the potential to be a really fun action-adventure protagonist in a really fun action-adventure show. Fingers crossed she retains her agency and gets to really grow and shine across whatever zany treasure hunt she’s about to embark upon.
Just as the dreamscape Wonder Killers provide a convenient and killable representation of the issues that harm young people, the writers of the show invent a convenient “monster” and pin the blame for those very issues on her. As a result, a lot of the nuance in the series’ treatment of trauma and suicide is lost.
Give this child-shaped demon some pants!
While it has great style, there are a few key things that block Idaten Deities from being truly enjoyable.
The Aquatope on White Sand was my most-anticipated premiere this season, and it did not disappoint.
For a show with “slow life” in the title, I was expecting a premiere with much more chill.
Godzilla, the legendary cinematic kaiju, has stomped his way onto Netflix in a brand new incarnation co-produced by studios Bones and Orange.
In the discussion surrounding queer representation in fiction, things are not always so simple as stamping a work with “good rep” or “bad rep”. While the series is not perfect—or perhaps because the series is not perfect—Land of the Lustrous makes a useful case study for reading and critiquing through a queer lens.
After literally working herself to death in an office, Azusa takes her new slow existence in stride, and is understandably distraught when challengers start appearing at her door threatening to turn her life into an action-adventure game when she’s content playing a farming simulator.
Saint’s Magic Power, with a listless twenty-something as its heroine, represents a different kind of power fantasy, but it’s a fantasy nonetheless: the power fantasy of getting a job without qualifications or a complicated interview process, of having a “knack” for a new skill and picking it up quickly, and not having to tie your hair back when you do lab work.
Do I want to explore tree-lined old streets looking at antiques now? Maybe. Mostly, though, I want to talk about the unexpected emotional undercurrents that I think will really elevate this cute little hobby show.
In a market so saturated with Generic European Fantasy Adventures that it’s practically dripping, it’s nice to see new series that really try to go niche and plumb the depths of more mundane, less-explored aspects of these settings. In this case, I’m very much looking forward to seeing the ins and outs of the fantasy real estate market.