Farewell, My Dear Cramer – Episode 1
One episode isn’t nearly enough time to call this shot, but I’m calling it anyway: Farewell, My Dear Cramer is going to be the lady-led sports anime I’ve dreamed about for years.
One episode isn’t nearly enough time to call this shot, but I’m calling it anyway: Farewell, My Dear Cramer is going to be the lady-led sports anime I’ve dreamed about for years.
If you were expecting this to be “A.I.dol,” you might be a bit disappointed by this premiere. Vivy barely sings at all. She’s way too busy saving politicians from assassination attempts and trying to change the future. It’s a busy first episode.
Those Snow White Notes definitely captures those small sad quiet moments and I think that alone will make the series worth watching…but damn is this show overdramatic.
Burning Kabaddi seems crafted entirely to combat the sport’s status as a punchline in Japanese media, going so far as to have Yoigoshi call out the trend before he’s inevitably sucked in. This, my friends, is an imaging campaign.
While fans of SSSS.GRIDMAN will immediately recognize the director/writer duo’s signature style, this premiere is perfectly friendly (and perfectly gorgeous-looking) for newcomers to the Gridverse.
A quiet, not-quite pretentious historical horror drama that is extremely My Brand.
What are your thoughts on alternate histories? Historical fantasies? How about umbrella crossbows, organ-playing snakemen, and mahou murder girls?
I hated Koikimo, and I’m going to hold fast to that because there’s no world in our infinite galaxy—not any culture on this planet, including Japan—where an adult pursuing a child is okay.
Caitlin, Dee, and Mercedez explore CLAMP’s foray into battle shounen, the fighting robot series Angelic Layer!
When your cries are constantly dismissed under thinly veiled apologies, it can be hard to feel seen or heard, but that is exactly what happened when I stumbled upon From the New World, the anime adaptation of Kishi Yusuke’s novel by the same name. I ventured into the series expecting a casual sci-fi horror but was instead met with a much deeper allegory for discrimination that paralleled my feelings of being a minority in America.
From their first appearance disguised as a young woman to their dangly earrings and lilting English dub performance, Orochimaru carries many of the unfortunate hallmarks of a queer-coded antagonist, one whose most terrifying power includes the ability to inhabit the bodies of others in a bid for eternal life. Their portrayal, already mired in queerphobia, is complicated by the franchise’s later decision to portray Orochimaru as a character with a non-binary gender identity, the first canonically LGBTQ+ character in the franchise.
Of all the amazing things about the show, one of the most striking to me was the revolutionary way it portrayed the intersection of queer and Slavic identity.
I often want to share a cool story after reading it, but, as an avid reader of doujinshi, I find few outlets where I can share that passion. For all the interesting work indie publications can harbor, they are largely inaccessible to non-Japanese markets, making it difficult to share my passion with English fans.