All Articles
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Chatty AF 219: Recovery of an MMO Junkie Retrospective (WITH TRANSCRIPT)
Caitlin, Cy, and Anime Herald’s Samantha get together to look back at a unique anime featuring adult romance and the consequences of burnout,
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Cannibalism, the abject, and queering the narrative in Delicious in Dungeon
The main cast all cross, blur, or sit outside of social norms in some way, engaging in some taboo or another—heroes on the margins who are uniquely placed to engage with the abject horrors of the dungeon and transform them into something else through their unique, outsider perspectives.
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Visiting the CLAMP Exhibition in Tokyo to celebrate 35 years of the legendary manga collective
CLAMP is a creative group of four women who have produced a range of iconic manga across a variety of demographics, from shoujo to seinen. Their body of work was recently celebrated with a showing at the prestigious National Art Center.
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Chatty AF 218: Post-Election Editor Discussion (WITH TRANSCRIPT)
Tony and Cy meet to discuss Anime Feminist’s core values and our plans going forward post-election.
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Shattering the Self: A conversation with Blood on the Tracks creator Shuzo Oshimi
Oshimi’s work has not lost its raw power and interest in toxic relationships. However, 2012’s Inside Mari marked a turning point: many of his later works explore the experiences of queer adolescents trying to escape from heteronormative, transphobic, and often misogynist ideas of how one should live.
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Ayaka is in Love with Hiroko! and the toxic workplace
While toxic workplace culture is originally presented as something that’s keeping the couple apart, ultimately the narrative ends up reinforcing it, asserting that finding happiness in love and expressing your own queer identity are less important than maintaining a conservative, capitalistic status quo.
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A World That Can’t See You: Otherness and disability in Tsukihime
When thinking of “disability representation” a dark urban fantasy and a former eroge like Tsukihime may not be the first thing that comes to mind, but its unfiltered depictions of Shiki’s experience with his curse, and its overall themes of otherness, isolation, and perspective speak profoundly to the marginalized experience.
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Hagio Moto’s Marginal and BL manga as feminist fabulation
With regards to her own work, Hagio Moto has often talked about how writing boy’s love manga freed her to explore kinds of stories that she felt like she couldn’t tell about female characters, and 1985’s Marginal is a particularly interesting example of how BL comics can be used to talk about women’s experiences of their own gender and the patriarchy.
