Tomo-chan is a Girl! – Episode 1
Girl likes Guy and Guy like Girl…as a best bud because he can’t perceive her femininity. And yes, that’s the joke, which really undercuts a show that has potential to be very cute.
Girl likes Guy and Guy like Girl…as a best bud because he can’t perceive her femininity. And yes, that’s the joke, which really undercuts a show that has potential to be very cute.
A dazzling yuri fantasy series with a lot of potential to grow.
All the winter premiere reviews in one easy-to-find place. We’ll update the chart as more series become available, so be sure to check back in the coming days for more!
Generally competent with one big shadow hanging over it.
Thoughts on name changes, transition, and how Shirono Honami’s I Want To Be a Wall is a reminder that we can shape our own barriers and boundaries.
Between my feelings about the ending of the third game, the drama surrounding its production, and the series’ long-standing controversies, I just felt drained as I watched Bayonetta 3’s credits roll. Which sucks, because the previous two games left me feeling nothing but energized and wanting to be a bolder, braver version of myself.
At its very core, MP100 is a show that despises violence as the main means of resolving interpersonal issues, and instead invites its audience to understand each other. In fact, it rejects the mere idea that being more powerful than your enemy is a net positive, or that having special powers makes anyone better altogether. Violence, the series posits, should only be used as a last resort.
For better or for worse, there’s nothing quite like Vampire Knight out there. Revisiting the series today—about 15 years after its release—reveals not only a lot of its shortcomings, but a lot about the cultural context in which it was released.
Dee, Vrai, and Alex talk about the edutainment comedy manga Sex Ed 120% and its tackling of subjects like consent, gender identity, and abortion.
The Day I Became a God, while not featuring representation of a specific, real-world disability, features a lot of insidious ableism in its last few episodes. This final arc of the show perpetuates a lot of harmful ideas around how those who are disabled should be treated, and the agency that they often do not have, serving as a painfully apt example of the clichés and stereotypes narratives about disability often fall into.
Tropical-Rouge balances historical attitudes with refreshing, contemporary ideas that grant its young female characters agency and thus delivers a great message to its target audience.