GNOSIA – Episode 1
GNOSIA transports viewers to the deepest recesses of the universe and a crew trying to find the traitor among them before it’s too late. So far it has all the beauty and gender of the game.
GNOSIA transports viewers to the deepest recesses of the universe and a crew trying to find the traitor among them before it’s too late. So far it has all the beauty and gender of the game.
A genuine and engaging premiere about a boy who wants to dance and a girl who loves dance that’s marred by the uncanny 3DCGI for its dance sequences.
Transporting a woman into her own middle-school fanfic makes for a great affectionate parody of isekai stories for teenage girls.
The concept of ninja and yakuza having a hidden war in society’s darkest corners isn’t a cool enough premise to fix a premiere that’s dead on arrival.
Everything is filtered through the male lead’s patronizing perspective, trapped in an internal monologue that oscillates between musings about the springtime of youth and crude comments about his friends’ boobs.
Plus-Sized Misadventures in Love is lifting an absolutely herculean task onto its shoulders: selling a fatphobic world on the charm of a cute and confidently fat heroine.
Alma-chan Wants to Be a Family provides what we all need in these genuinely hard times: a low-stakes premiere that is simple, sweet, and well executed.
AniFam, I am pleased to present to you a star rom-com of the season: “useless lesbians make manga.”
A breath of fresh air for its niche, with expressive fight scenes, classmates that don’t feel cartoonishly evil, and a genuine sense of mystery.
A charming trip into the distant future and a apocalypse that’s claimed all societal progress, but hasn’t taken away the simple joy of a cross-country girl’s trip.
This is an exhausting premiere that wants to pat itself on the back for pointing out the tropes it’s wallowing in.
Digimon’s greatest strength as a franchise lies in its character relationships, and this new entry doesn’t seem to understand that at all.
The well-executed elements of the premiere end up overshadowed by fatphobia and the show’s lack of interest in its female characters.
A promising superhero idol premiere that hits high notes but is far from creating the next chart-topping hit, and that’s good for its potential to become something amazing.
One man’s lifelong dream gets centered in a premiere that could be mean-spirited but instead, lets him start down the path to becoming exactly who he knows he is.
It’s competent but choppy and completely devoid of anything worth talking about.
The premise is fun, but the big emotional climax feels unearned – and risks playing into the very tropes the show could be deconstructing instead.
SANDA may be one of the most idiotic shows on TV. That is precisely why it works so well.