Performing Ease: Emotional detachment and masculinity in Skip and Loafer
Skip and Loafer highlights how gendered expectations around emotion are learned and reinforced at an early age.
seinen Tag
Results-
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I Have No Enemies: Vinland Saga and the ethics of political nonviolence
Vinland Saga challenges our relationships with nonviolent resistance as individual moral actors and members of a collective struggle for a world free of state violence.
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How Just Like Mona Lisa uses speculative fiction to explore gender norms
Bundled in a melodramatic coming-of-age story, the storytelling sometimes falls into fraught tropes about genderqueer people, but it also raises some sincere philosophical questions and pointed commentary on the real world’s many gender paradoxes.
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A Conversation with Minoji Kurata, artist of The Apothecary Diaries and Assassin’s Creed: Blade of Shao Jun
In addition to her original works, Kurata’s name is attached to two properties that have become widely known all over the world: The Apothecary Diaries and Assassin’s Creed. We had a chance to sit with her at Otakon to talk about how she brings her voice as a creator to a series that has multiple versions running concurrently, the growth of female-driven stories in seinen manga, and balancing life as both a mother and a mangaka.
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Complicated Age: Passion, hobbies, and aging through the lens of Complex Age
In their unexpected 33rd year of life, Cy reflects on passion and what it means to like, love, and fully engage with hobbies.
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From the Verdigris House to the Rear Palace: Sex workers’ perspective on The Apothecary Diaries
As a sex worker, however, my favorite aspect of The Apothecary Diaries is the nuanced depiction of sex work. From the Verdigris House women to the royal concubines, the series treats the characters engaged in sex work with care, subverting many of the harmful tropes and expectations that other popular media from around the world often fall into.
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How women in The Apothecary Diaries navigate patriarchy and class
While some women do their best to play by the rules, others find loopholes in social customs through which they can enact a semblance of autonomy. However, doing so is extremely risky, especially for those lower on the social ladder.
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Cannibalism, the abject, and queering the narrative in Delicious in Dungeon
The main cast all cross, blur, or sit outside of social norms in some way, engaging in some taboo or another—heroes on the margins who are uniquely placed to engage with the abject horrors of the dungeon and transform them into something else through their unique, outsider perspectives.
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Shattering the Self: A conversation with Blood on the Tracks creator Shuzo Oshimi
Oshimi’s work has not lost its raw power and interest in toxic relationships. However, 2012’s Inside Mari marked a turning point: many of his later works explore the experiences of queer adolescents trying to escape from heteronormative, transphobic, and often misogynist ideas of how one should live.
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“Every Inch of My Imagination”: Mangaka Makoto Yukimura on writing women and slavery in Vinland Saga
Anime Feminist also had the remarkable opportunity to interview Yukimura about Vinland Saga, writing female characters, portraying slavery and the role of Buddhist Philosophy in his work. Our interview with him, which was one of the great honors of my time in anime journalism, is below.
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The Villain Edit: Dissecting how Oshi no Ko evokes real-life tragedy in its depictions of harassment and reality TV culture
Oshi no Ko spends a few episodes examining the harsh way that people who participate on reality TV can be treated, especially online. In this way, it shines a light on an issue that people who don’t watch much (if any) reality TV have probably ever considered. But what does the way it goes about this mean for its overall message?
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Who is Granted Personhood? Frieren’s demons and the trouble with the “inherently evil race” trope
This story about immortality, grief, and the importance of emotional connections is interrupted by the presence of blunt, strawman villains who exist not as characters but as plot devices to show the “humanity” of the protagonists.
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Love Y’all: Lonely catgirl seeks decently written anime polycule
While there is a rise in polyamorous romance in Japanese anime and manga, I must regretfully report we still have a ways to go.
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What Tomo-chan Is a Girl! gets wrong and right about gender-nonconformity and sexual assault
Using heartfelt sincerity and character-driven plot twists, Tomo-chan is a Girl! has quickly become one of my favorite shows, in spite of some thoroughly discomfiting scenes that detract from its comedic highs and powerful story.
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Subverting masculine expectations and complicating the male gaze in My Dress-Up Darling
While still tangled in fan service and horny comedy, My Dress-Up Darling’s depictions of masculinity and the sexualization of its female characters are typically leaps and bounds above many of its genre counterparts.
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Ai Yori Aoshi at 20: The harem anime that almost broke the mold
Ai Yori Aoshi in many ways feels distinct from the tropes established in titles like Love Hina, despite being a contemporary of it. When revisiting it twenty years later, is this some diamond in the rough, or a relic of an era long past?
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The Day I Became a God and the mistreatment of disabled people
The Day I Became a God, while not featuring representation of a specific, real-world disability, features a lot of insidious ableism in its last few episodes. This final arc of the show perpetuates a lot of harmful ideas around how those who are disabled should be treated, and the agency that they often do not have, serving as a painfully apt example of the clichés and stereotypes narratives about disability often fall into.
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Girls Doing Stuff: Agency and motivation in girls’ hobby shows
By their very nature, these series’ protagonists are driven and motivated young women—motivated by something other than romance and men—who experience visible development across the narrative. As a bonus, the relaxed vibe and personal stakes of this genre means that realistic dangers are removed and these characters are left in idyllic spaces where they have autonomy over their time and their surroundings.
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In the Name of Art: Academic burnout in Blue Period
The detrimental effect of academic burnout can be easy to overlook. While the media has had a hand in normalizing these behaviors, stories are starting to crop up that examine the issue critically. Blue Period is an excellent study in the behavior that leads to burnout and the consequences that follow.
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Love, Agency, and Androids: A Chobits Retrospective
Chobits uses its post-humanist storytelling to ask questions about the highly personal relationships that humans can develop with something that looks human or shares human qualities, but can never exactly be human. Because the persocoms are almost all built to look like young women, it also creates a space to ask questions about gender roles in relationships and how those perceived as female can be literally objectified. At times, Chobits presents a very compelling and empowering narrative around love, personal choice, and sacrifice. Yet, simultaneously, Chobits fails to reckon with the very questions it raises.
