The Metamorphosis of the Magical Girl Genre
As the tone in the Madoka series shifted at the end of episode three, so did the tone of the mahou shoujo genre as a whole, leading to a change in demographic focus that’s still being felt today.
gender equality Tag
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Re:Zero’s critique of Nice Guy Subaru and supposedly selfless love
Though often shown empathizing with and caring for Emilia, Subaru is also manipulative and controlling towards her. Re:Zero highlights these contradictions to create a portrayal of what is often the actual problem with Nice Guys: the assumption of commodifying good behavior for the return of love or sex, and the sense of entitlement or control over the person they like that often stems from it.
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Wolf Queens and Girl Heroes: How Lonely Castle in the Mirror plays with gendered fairytale tropes
Tsujimura Mizuki’s best-selling novel Lonely Castle in the Mirror twists and plays with familiar fairytale tropes to empower its young female characters.
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Daring to Speak its Name: Goodbye, My Rose Garden and the queer historical romance
Set in 1900 England and steeped in references to both the history and literature of the Victorian era, Goodbye, My Rose Garden draws on turn-of-the-century reality and fantasy alike to highlight the intersectional struggles of queer women of the period.
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A Double Edged Sword: Reconsidering Moe Through a Neurodiverse Lens
Many criticisms of moe characteristics stem from the idea that these girl characters are created to be appealing to male viewers, and therefore cannot be relatable to any real woman in the audience. However, so-called moe series have yielded several characters that are extremely relatable to the neurodiverse female experience.
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Brazilian mangaka Marina de Melo do Nascimento broke the internet and the rules to make her way to Japan
Nascimento studied the work of one of Japan’s famous feminist scholars, Kishida Toshiko (1864 – 1901), and her place of study is especially meaningful given that Tohoku University was the first university to accept women as students back in the early 1900’s. Nascimento is also known as Mmyoi and is the creator of The Bride of the Fox.
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Love Hina and the Normalization of Male Abuse
The abuse women can inflict on their partners is a topic taken seriously by intersectional feminist discourse, but often dismissed and even normalized in mainstream media. In anime, this was especially prominent in the world of harem anime. The wildly popular 2000s series Love Hina is a useful emblem of this, as it showcases normalized abuse directed by women toward its male protagonist.
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Writer Budjette Tan discusses Filipino folklore and the TRESE anime’s international reach
Michele Kirichanskaya recently had the chance to interview Budjette Tan about working as the writer of Trese and the series’ recent anime adaption on Netflix
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Gearing Up or Dressing Up? On female fighter equipment
When it comes to a particular category of battle-related gripes, I think I’m less the annoyingly fastidious critic nobody wants to watch a show with, and am actually harping about something genuinely important: female fighter equipment, which too often sacrifices realism and practicality in favor of sex appeal. In anime, this issue manifests in three major forms: “boob armor,” high heels, and “chainmail bikinis,” all which hurt the dignity of not only the characters who must wear them but also the female viewers who must endure the real-world effects of such normalized sexualization of womens’ bodies.
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The Dead Mothers of Shounen
To be a mother in a shounen series, especially of a male protagonist, is often a guaranteed death sentence. It also means a lack of characterization outside of her role as a caretaker. Even otherwise highly acclaimed series are guilty of these tropes, and I can’t help but wonder why they continue to persist.
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Jujutsu Kaisen star Anne Yatco on the fight for casting equity and what shounen can learn from Nobara
Anne Yatco is a longtime actor with a varied and fascinating career. She entered the world of acting after spending four years as a full-time forensic scientist, worked with the all-WOC sketch group BAE*GENCY, and co-starred on the Grey’s Anatomy spinoff Station 19. She’s recently pivoted primarily to working in voiceover, where she’s best known for playing Nobara in the English Jujutsu Kaisen dub.
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Suzie Yeung, FF7 Remake actor, discusses recording during the pandemic, her dream anime role, and voicing Koito
Vrai sat down with Suzie at Otakon 2021 to talk about working during the pandemic and her recent roles, including the much-maligned Koito of Wonder Egg Priority.
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Convenient Monsters: The problem with Frill and Wonder Egg Priority’s take on trauma
Just as the dreamscape Wonder Killers provide a convenient and killable representation of the issues that harm young people, the writers of the show invent a convenient “monster” and pin the blame for those very issues on her. As a result, a lot of the nuance in the series’ treatment of trauma and suicide is lost.
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When the Most Precious Diamond is Not a Piece of Jewelry: MAJOR 2ND and female baseball players’ struggles in a male-dominated sport
Although Daigo’s teammates and rivals are mainly male in the beginning of the series, as time goes on, the female cast becomes increasingly robust, to the point that Daigo’s middle school team is majoritively formed by girls. This is big for the sport anime genre as a whole, as it represents an important step towards gender equality and the media visibility of women in sports.
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My Fave is Problematic: Samurai Flamenco
No one has ever asked whether Samurai Flamenco is good, because the question is a loud and simultaneous “no” and “yes.” But the question of whether it “counts” as queer romance has waged on for eight exhausting years now. Incidentally: yes, it does.
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How No More Heroes tackles otaku toxicity
No More Heroes is able to distill my biggest issues with the anime scene, mocks those who defend and perpetuate its shittiest elements, and makes me hopeful that things can improve by having Travis embody and then question his identity as a scummy anime nerd.
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The Girl with the Healing Kiss: How Talentless Nana explores gender, morality, and the savior complex
Despite having a teen girl assassin as its protagonist, the contrast between Nana and the healer Michiru ultimately paints a picture of the ‘savior complex’ being righteous amongst women.
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Honda Tohru and the Strength of Nurturing
Female characters who put their energy into caring for others, rather than standing up and fighting, were dismissed as passive doormats who exist only for the male cast’s development. One such character was Honda Tohru. The first part of the remake has made it abundantly clear that Tohru is plenty strong. However, since her strength comes in the form of traditionally feminine roles such as nurturing and protecting those dear to her, audiences tend to disregard her strength because of how these roles are devalued.
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Idols Gone Viral: How Hololive VTubers both subvert and reinforce expectations of idol femininity
Contemporary virtual YouTubers are often characterized by a mix of conventional femininity and “unladylike” behavior. Yet, while the most prominent creators are able to explore more varied and even subversive topics than traditional idols, they are in many ways still beholden to a set of rules and expectations for what an idol “should” be.
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She’s Fighting for Him: Black Clover and battle shounen’s male-centrism
Women in shounen battle anime and manga have traditionally been sidelined, even as it became more and more common to include women as fellow fighters. When the guys go in to fight the final boss, the girls stay behind to help with some B-plot battle no matter how competent they may seem. In a new era of shounen, we’ve seen some of these tired tropes be turned on their heads. However, even when series like Black Clover make some strides, they still end up repeating tired cliches.
