NEEDY GIRL OVERDOSE – Episode 1
Chiaki is just the right level of quirky to catastrophically find the traumatized girls in Needy Girl Overdose “#relatable”
abuse and assault Tag
Results-
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Throw the Man Away With Me: Rejecting heteronormativity in Run Away With Me, Girl
Much of Run Away With Me, Girl is focused on how heteronormativity cruelly forces queer people to diminish who they are. Thank goodness that the story also envisions so much more for its heroines.
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Supporting Women’s Wrongs (Just Not Like That): Fandom misogyny and the flawed women of NANA
The need for well-written female characters is supposedly understood and advocated for in fandom spaces, but the moment these female characters show any unfavorable attributes or make mistakes, they are rarely given the same grace as male characters. The complicated women of NANA prove that there’s a limit to how flawed a female character can be before she’s no longer palatable to readers.
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Folktales, gender and transformation in Where the Wild Ladies Are
Aoko Matsuda’s award-winning folklore collection, Where the Wild Ladies Are, is a feminist retelling of traditional Japanese ghost stories. Transformation is key throughout the collection, both to the characters’ journeys and to Aoko’s commentary on ancient and modern gender expectations.
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Shattering the Self: A conversation with Blood on the Tracks creator Shuzo Oshimi
Oshimi’s work has not lost its raw power and interest in toxic relationships. However, 2012’s Inside Mari marked a turning point: many of his later works explore the experiences of queer adolescents trying to escape from heteronormative, transphobic, and often misogynist ideas of how one should live.
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Resilience and Resistance: Reimagining marginality and agency in The Apothecary Diaries
The Apothecary Diaries re-imagines the social life of women in its fictional society, showcasing how, despite living in oppressive systems, women continuously negotiate their existence through resilience, intellect, and community.
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Discussing Japan’s #MeToo movement and award-winning documentary The Black Box Diaries with journalist Shiori Ito
Ito Shiori made waves in 2017 when she accused Yamaguchi Noriyuki of raping her in 2015. Following her suit, the Japanese journalist also published her memoir “Black Box” detailing the difficulties in proving her case in Japan’s legal system.
Eight years on, Ito captures that experience in her autobiographical documentary which premiered at the 2024 Sundance Film Festival. The film has been shown in 50 different festivals in more than 30 countries, but still not in Japan. -
“Every Inch of My Imagination”: Mangaka Makoto Yukimura on writing women and slavery in Vinland Saga
Anime Feminist also had the remarkable opportunity to interview Yukimura about Vinland Saga, writing female characters, portraying slavery and the role of Buddhist Philosophy in his work. Our interview with him, which was one of the great honors of my time in anime journalism, is below.
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Coming of age as a queer teen in Okazaki Kyoko’s River’s Edge
River’s Edge features a range of queer representations within its central cast, from frank depictions of closeted life and homophobia to more ambiguous depictions of attraction, making it a layered piece of LGBTQIA+ media and a powerful time capsule of the state of queer representation and queer life in Japan during the 1990s.
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Parade Parade and the Phallic Woman Fantasy
Parade Parade is part of a long tradition of media, especially pornographic media, that fetishizes trans and intersex women as victims and perpetrators of rape. It is also somewhat unusual in its focus on lesbian and long-term relationships.
Because we marginalized women are considered too unsanitary for the societies we live in, we are forced to look to the margins of media for representation, even if it also dehumanizes us. The narrative violence of the film, to those of us who relate to Kaori’s position, is not at all unlike how the world outside of Parade Parade treats us trans and/or intersex women.
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The Villain Edit: Dissecting how Oshi no Ko evokes real-life tragedy in its depictions of harassment and reality TV culture
Oshi no Ko spends a few episodes examining the harsh way that people who participate on reality TV can be treated, especially online. In this way, it shines a light on an issue that people who don’t watch much (if any) reality TV have probably ever considered. But what does the way it goes about this mean for its overall message?
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Becoming Monstrous: Yurikuma Arashi and transmisogyny in the school system
Everything in Yurikuma Arashi is more symbol than literal representation, and I have often mulled over its meaning as I’ve navigated entering the teaching profession as a nonbinary Chinese person. Like the bears, I’ve often asked myself: what do I sacrifice to be allowed to exist within the school?
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The Consequence of No Consequences: Mushoku Tensei and excusing sexual violence
Any story that wants to explore this darker side of humanity must be willing to explore how doing horrible things affects the world and people around you, or it risks trivializing the true horrors of the darkness it depicts.
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Love Him to Heal Him: Heterosexual wish-fulfillment in Mars and I Sold My Life For 10,000 Yen Per Year
Looking at these series side by side, we can see the same archetype and corresponding fantasy of the scarred, strong yet secretly sad man being nursed emotionally by a female love interest play out in different hues for their specific target audiences, in all its glories and pitfalls.
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Immaturity and Impunity: Performative Masculinity in Baki the Grappler
Despite its enthusiastic embrace of playful exaggeration and dramatic pageantry, Baki the Grappler shouldn’t be written off as mind-numbing entertainment for the masses. A critical analysis of Baki as contemporary anime, and a part of pop culture more broadly speaking, can help us all better understand how performative masculinity functions—and why it is so potentially dangerous.
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Unlovely Complex: Social Justice, Misogyny, and the Lovely Complex Dub
The way this writer, a member of the dubbing team, talked about the show and his inability or refusal to unpack even its most basic themes spoke to the sort of misogyny that pervades critical analysis, in which female characters and creators don’t get even the slightest grace for being messy, imperfect beings.
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The wasted potential of Death Note’s women
In the hands of a writer who isn’t so brazenly disinterested in writing them, the women of Death Note—Misa, especially—easily have the potential to be the most interesting characters in the deeply iconic series. But as it stands, they’ve been massively shortchanged by writing that presents plenty of fascinating story elements for them, but that never get explored.
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What Tomo-chan Is a Girl! gets wrong and right about gender-nonconformity and sexual assault
Using heartfelt sincerity and character-driven plot twists, Tomo-chan is a Girl! has quickly become one of my favorite shows, in spite of some thoroughly discomfiting scenes that detract from its comedic highs and powerful story.
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BL Manga Artist Aiba Kyoko on Industry Demands, Artistic Growth, and Writing About Young Carers
We were able to sit down with Aiba for a gregarious and sadly brief conversation to discuss writing relationship dynamics, greater awareness of LGBTQ+ issues, and her latest work.
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My Fave is Problematic: Jojo’s Bizarre Adventure
As I took in each new part and new Jojo, I became increasingly invested in the story and characters, and when Stone Ocean was finally adapted, Jolyne was everything I’d hoped for and then some; however, because the source manga has been around since the late 1980’s, some parts, particularly early on, haven’t exactly aged well. It’s too big a franchise to cover in every detail here, but its biggest issues feel worth discussing alongside its strengths.
