Anime Feminist’s Top Picks for 2025
2025 brought us multiple passion projects from talented women across the anime industry, and we only hope to be as lucky in 2026.
2025 brought us multiple passion projects from talented women across the anime industry, and we only hope to be as lucky in 2026.
2025 closed out with some wildly ambitious shows that weren’t afraid to take big swings.
We’re up to our ears in joseimuke anime this season, and we couldn’t be happier!
Opposites attract in a fantastic premiere that’s a love letter to high school romance manga with its grounded characters and amazing dubcast.
The show’s not especially scary either, but it’s got good foundations and a great Weird Little Girl at its heart.
It’s perfectly fine, but if you don’t want a 100% straightforward villainess isekai then this isn’t for you.
Historical fiction about a fire-fighter is a great concept, but the 3D animation can’t keep up with the action.
While I remain frustrated with the broader trends this story is tapping into, I think it also has a lot of potential to unfold into a sweet romance about a girl rebuilding her confidence.
It’s a fun urban fantasy held back by a glaring lack of polish.
It feels a little like an also-ran version of So I’m a Spider, So What? But it’s far from the worst fantasy show airing this season.
I honestly don’t understand who this show is for, because monsterfuckers will get nothing from it, and anybody else will find it astonishingly bland.
This premiere will have you seeking a taste of the night elsewhere with it’s poorly executed dub, stilted characters, and less than intriguing seasonal debut.
You can improve any genre by adding gay to it, but…does the “kicked out of the party” microgenre deserve to be elevated by lesbians?
A dead on arrival premiere that feels like a compilation of ideas from other, bigger shonen action titles.
The back half flirts with becoming a bright adventure fantasy, but it’s bogged down in tired (albeit mostly harmless) isekai tropes.
You’ll either yuck-yuck-yuck or just say yuck at this comedy premiere that’s a blast from the past and perhaps should have remained there.
SHIBOYUGI’s beautiful double-length premiere doesn’t make for a bad short film, but it’s hard to see it having staying power as a series.
Despite its unhurried pace and touches of whimsy, Champignon Witch is very much a story about social ostracization and how cultural norms and surface-level assumptions can unfairly relegate people as outsiders.
It’s thoroughly unremarkable fantasy slop, from the bland protagonist to the “good slave owner” trope.
I’d refrain from stamping Yako with “good representation” or “bad representation” because, you know, we love nuance; but I’d say The Invisible Man and His Soon-to-Be Wife is off to a decent start with regards to its heroine’s disability and the supernatural romance (and marriage!) that the title foreshadows.