No Rest for the Wicked: Criminality and justice in Psycho-Pass
Psycho-Pass’ villains are heinous in their own right, but they exist to also criticize the larger failure of a deeply flawed justice system.
Psycho-Pass’ villains are heinous in their own right, but they exist to also criticize the larger failure of a deeply flawed justice system.
Carole and Tuesday are just two girls dreaming of becoming musicians. While the series initially follows the girls’ rise to stardom, the focuses shifts to examine how music can fight back against oppression, but leads to a simple and unsatisfying ending.
Your Lie in April has high ratings on almost all of the major anime databases. Unfortunately, I, the Feminist Killjoy, am here to say that Arima has an Oedipus complex and Kaori is a Manic Pixie Dream Girl.
If I feel invisible, then I turn invisible. If I feel conflicted about myself, I split into two people. If I suffer from verbal bullying, then I wake up with cuts and scrapes all over my body. This is Adolescence Syndrome, the key concept behind Rascal Does Not Dream of Bunny Girl Senpai, which the series uses to explore various social anxieties and mental health issues that can affect young people but which often go unnoticed.
While Rachel did do many things wrong, and this is definitely not a defense of that (especially as she is coded as a blonde white woman in the art), her character’s depiction can open a larger discussion about portrayals of female antagonists, and patterns of online fandom misogyny.
Using its “magical school” premise, Witch Hat Atelier explores diversity among students and argues for the importance of accessibility throughout society, but especially in education. With supportive mentors and a focus on individual accommodation, anyone really can wield their own kind of magic.
A distinct antiauthoritarian spirit runs through Imaishi’s works. Yet nowhere is the director’s call for collective action more realized, but most glaringly compromised, than in the show that made him a household name: Gurren Lagann.
So, is the world of Villainess a queer utopia uniquely laid out so that Catarina’s love(s) can bloom? Or is the question of world- and story-building a little more complicated?
The game’s cast is gender balanced, with a roughly equal number of male and female characters, and the female ones play an important role in driving the story. While that sounds great on paper, the problem lies in the gender-essentialist ways that “importance” works out.
While the series wants to tell a story about individuals overcoming their trauma and inner darkness, its strength at depicting individual growth often conflicts with the conservative social systems it ultimately upholds.
Both Kazuki and Toi emerge from similar circumstances of capitalism, oppression, and the hypermasculine coping mechanisms they’ve been given to deal with the pain of that oppression. It is only through learning to care for one another—and learning that they can care for one another—that they can both be free.
Yes, even the horny catgirl anime can be a lesson in real-world inequality.
As a long-time reader of manga, I always found the medium to be a means of escape to fantastical worlds. Yet, there remained a disconnect between me and the stories I was reading. Discovering I Hear the Sunspot filled that absence with its portrayal of the specific reality of being both gay and Deaf.
My Hero Academia, in its proud declarations of right and wrong, good and evil, heroism and villainy, argues how the world should be. Understanding how My Hero Academia works means understanding what this prescription is, and who gets labeled the villains.
Constantly, in pop culture, we see women being used as an accessory, a love interest, a mother, but in Okazaki’s world, women take the main stage and prove that a female-led manga can be just as impactful as stories focused around men. These two stories explore both the “beauty” and the “beast” contained within their heroines.
Revolutionary Girl Utena has a well-deserved reputation for being difficult to parse. Dense with metaphor, thinly-veiled critique of old shoujo tropes, and allusions to obscure literature, Utena’s style of storytelling relies heavily on its own visual language.
As Kyoko struggles to recover from abuse and trauma, she is encouraged to forgive everyone around her, put her own happiness last, and believe that love cures all. Skip Beat’s prioritization of these ideals over actual healing processes perpetuates unhealthy, even dangerous ideas about recovery.
How can Western fans of Japanese alt-fashion help keep Harajuku brands alive? Although it is at odds with the current opinion that buying second hand is far better than buying clothes new, we must keep buying clothing directly from these independent brands in order to keep their doors open.
Mainstream media tends to over-dramatize or romanticise disability to make the intended able-bodied audience feel pity or inspiration. While I can’t say Perfect World completely escapes these tropes, Aruga still strives to make a narrative that incorporates experiences from the disabled community.
Fruits Basket is a radical work regarding its treatment of mental health because it actively works to destigmatize mental illness, critiquing and dismantling ideas about toxic masculinity through its portrayal of mental health.