In Tribute to Nicholas Dupree
Anime News Network announced the tragic, sudden death of contributor Nicholas Dupree, sometimes known as LossThief, on Sunday.
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J Michael Tatum discusses returning to Spice and Wolf, dubbing philosophy, and Ouran’s queer legacy
We sat down with Tatum to talk about radical recent changes in the dubbing industry, what it’s like being a highly visible gay voice actor, and Ouran’s enduring appeal.
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Murai in Love – Episodes 1-3
The core premise of a teacher/student romance will ward off some, and the dire production values will probably take care of the rest.
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Anime Feminist’s Recommendation Backlog: Girls in Strange Worlds
Let’s take a trip back into the 2010s and highlight some of our favorite fantastic(al) speculative fiction with lady leads.
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Talk to Me: The stories you run into during an interview
From the reader or viewer’s perspective, the exchange seems seamless and natural, because how hard can it be to just talk to someone? Today, I’m here to tell you, it’s actually pretty hard.
Or: Chiaki just wanted to brag she gets fed at interviews with the rich and famous sometimes.
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Coming of age as a queer teen in Okazaki Kyoko’s River’s Edge
River’s Edge features a range of queer representations within its central cast, from frank depictions of closeted life and homophobia to more ambiguous depictions of attraction, making it a layered piece of LGBTQIA+ media and a powerful time capsule of the state of queer representation and queer life in Japan during the 1990s.
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Chatty AF 213: Revolutionary Girl Utena Watchalong – Episodes 35-39 (WITH TRANSCRIPT)
Vrai, Chiaki, and Cy return to wrap up the Revolutionary Girl Utena TV series. Revelations are had. Tears are shed. Only the movie remains.
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Parade Parade and the Phallic Woman Fantasy
Parade Parade is part of a long tradition of media, especially pornographic media, that fetishizes trans and intersex women as victims and perpetrators of rape. It is also somewhat unusual in its focus on lesbian and long-term relationships.
Because we marginalized women are considered too unsanitary for the societies we live in, we are forced to look to the margins of media for representation, even if it also dehumanizes us. The narrative violence of the film, to those of us who relate to Kaori’s position, is not at all unlike how the world outside of Parade Parade treats us trans and/or intersex women.
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Aiba Kyoko at Otakon 2024: Reverse Villainess Isekai, Social Issues, and the Manga-Making Process
Manga artist Aiba Kyoko spoke with us about her latest works and gave several panels about some common differences between anime and “anime-inspired” art and the process of creating manga.
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Social Commentary, Horror Manga and the Left: From Ero-Guro to Junji Ito
Communism is when I write horror manga. This fact has generally been unrecognized in discussions on the subject.
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Attention to the letter: Lettering and Deaf representation in A Sign of Affection
It’s clear that Yuki’s the one we’re following along this journey, without the assumption that an able-bodied reader needs to have everything about her disability painstakingly explained to them. As well as the storytelling structure itself, this is achieved through suu Morishita’s ingenious use of lettering, wherein the format and function of the words on the page themselves allow the reader to experience the world as Yuki does: thus allowing this to be her story, told with her own words, and of her own experiences.
