Anime Feminist Recommendations of Summer 2021
This summer’s recs are definitely a case of quality over quantity.
This summer’s recs are definitely a case of quality over quantity.
A cute normal boy meets anxious girl comedy that’s definitely gonna be a romcom that will satisfy folks looking for a charming slice of life this season, with a few issues and concerns regarding Netflix’s handling of the subtitles.
This fall brings passion projects by big-name creators, long-awaited adaptations, and some unexpected surprises!
Does a bromance await Fiction’s Greatest Detective and Greatest Thief? Is Watson still out there hoping his beau will save him? Is Zenigata going to get, like, supes jealous about this new inspector honing in on his man? Stay tuned to this season’s most stylish fanfic to find out!
Prince Bojji is deaf and dreams of becoming a great king someday. Despite the ridicule he gets, he continues to put a smile on his face and follow his dreams.
Deep Insanity: The Lost Child tries to be something more than the sum of its parts, but never quite reaches the realm of “good action anime”, despite trying its level best to do so.
It’s a by-the-numbers mish-mash of heavy-handed homages that also has cute mini-mecha designs and a fair bit of heart. It sits squarely in the subgenre of “rah rah otaku culture” that’s remained a crowd-pleaser ever since Otaku no Video pioneered it in the 80s—people love to see themselves on TV. For mechs this season, you could very much do worse.
Vrai, Peter, and Mercedez look back at a sequel-heavy 2021 Summer season!
This series has all the ingredients to be a competent feel-good office anime, but it’s immediately soured when I have to acknowledge the fact that Futaba exists.
If you’re in the mood for a very safe, very standard, CGI shonen anime that tackles every trope in the genre, than look no further than SHIKIZAKURA, a show with the potential for potential… I think.
There is a lot of love for the arts in this series and it doesn’t shy away from the difficulties of the creative process either.
Embrace the darkness, entities of the night: Visual Prison is all fangs, a few bites, and loads of visual-kei idol boys, all mashed together into a premiere that certainly has appeal, but definitely not in the plot department.
This premiere isn’t keen to rush into the heart of the action and show Will being a cool badass holy warrior. It’s content to draw us in slowly, focusing on the relationship between Will and his undead guardians.
Inside Taisho Otome Fairy Tale there are two rom-com wolves.
A father-daughter adventure story off to an incredible start.
There are two major things that Platinum End has in common with previous Ohba/Obata manga. One, it captures the feeling of railing for the first time at an unjust society in a way that rings powerfully true if you’re in Shonen Jump’s 13-17 target demographic (physically or emotionally) and then gets increasingly shaky with added age and perspective; and two, it hates women just so very much.
While it’s not spectacular, it’s fair enough fodder for anyone looking for a wartime story against a cosmic enemy in 2021.
It drips style, but aesthetics alone won’t be able to carry this show. I have a feeling the panty flashes aren’t going anywhere, and I’m inclined to ask how distracting the fanservice will be.
It’s the job of a hobby anime’s premiere (and this is listed as “slice-of-life” rather than sports, at least on Funimation) to show the protagonists getting hooked into the hobby in question. To throw the heroines into something new and to show that initial spark of interest, so the audience is inspired to join them week by week on their journey. But this first episode of PuraOre! just doesn’t have the emotional weight to pull this crucial work off.
A slow life show set in a fantasy world runs a dual risk: being too slow, and being a bad fantasy.