Loner Life in Another World – Episode 1
Kick start your teen boy loner life with the frustratingly chatty Haruka as he gets summoned to another world and gets nothing but hard knocks for his trouble.
Kick start your teen boy loner life with the frustratingly chatty Haruka as he gets summoned to another world and gets nothing but hard knocks for his trouble.
We sat down with Tatum to talk about radical recent changes in the dubbing industry, what it’s like being a highly visible gay voice actor, and Ouran’s enduring appeal.
The core premise of a teacher/student romance will ward off some, and the dire production values will probably take care of the rest.
Let’s take a trip back into the 2010s and highlight some of our favorite fantastic(al) speculative fiction with lady leads.
From the reader or viewer’s perspective, the exchange seems seamless and natural, because how hard can it be to just talk to someone? Today, I’m here to tell you, it’s actually pretty hard.
Or: Chiaki just wanted to brag she gets fed at interviews with the rich and famous sometimes.
River’s Edge features a range of queer representations within its central cast, from frank depictions of closeted life and homophobia to more ambiguous depictions of attraction, making it a layered piece of LGBTQIA+ media and a powerful time capsule of the state of queer representation and queer life in Japan during the 1990s.
Vrai, Chiaki, and Cy return to wrap up the Revolutionary Girl Utena TV series. Revelations are had. Tears are shed. Only the movie remains.
Parade Parade is part of a long tradition of media, especially pornographic media, that fetishizes trans and intersex women as victims and perpetrators of rape. It is also somewhat unusual in its focus on lesbian and long-term relationships.
Because we marginalized women are considered too unsanitary for the societies we live in, we are forced to look to the margins of media for representation, even if it also dehumanizes us. The narrative violence of the film, to those of us who relate to Kaori’s position, is not at all unlike how the world outside of Parade Parade treats us trans and/or intersex women.
Manga artist Aiba Kyoko spoke with us about her latest works and gave several panels about some common differences between anime and “anime-inspired” art and the process of creating manga.
Communism is when I write horror manga. This fact has generally been unrecognized in discussions on the subject.
It’s clear that Yuki’s the one we’re following along this journey, without the assumption that an able-bodied reader needs to have everything about her disability painstakingly explained to them. As well as the storytelling structure itself, this is achieved through suu Morishita’s ingenious use of lettering, wherein the format and function of the words on the page themselves allow the reader to experience the world as Yuki does: thus allowing this to be her story, told with her own words, and of her own experiences.
Caitlin, Peter, and Vrai dive into a huge season of mess, some good (relatable trash girls! gender feels!) and some…less good.
Fordola and Yotsuyu’s treatment and ultimate fate in the story are starkly different, and in this way they clearly expose underlying gendered biases in how their writers think about Evil Women(TM) and who “deserves” redemption in narratives about trauma and war.
Declaring Show Time! as part of an entertainment criticism pantheon may overstate its importance in the anime sphere. However, this hentai uses its erotic elements to explore issues and humanize actresses in a way those other shows for general audiences cannot.
‘Tis the season of mess, whether from characters or writing.
Do YOU want to see hot anime men in nurturing roles? Does it sweeten the pot if I tell you they’re also wearing vaguely Victorian fantasy clothing? How about if it happened to name its antagonist after one of the notable despots of our time without much apparent self-awareness?
We speak with Aisya, who is a lolita, editor of magazine Lapin Labyrinthe and guitarist of Strawberry Quartz. Aisya is well recognized in online spaces for his commentary on lolita as a space for creativity and inclusion, as well as trying to create opportunities for lolitas from all backgrounds to participate in print media and photography.
Things are heating up, both narratively and literally, as Vrai, Cy, and Chiaki return to peak trauma with Part 4 of our Revolutionary Girl Utena retrospective!
Vibe with some great fantasy, check out some winning third seasons, and put your middle fingers up to the licensors who buried the season’s brightest new gem.
Among the changes that this remake made to its source material, the most personally striking was the radical difference in one character: Ryan Gray, a neurodivergent-coded antagonist originally presented as an unambiguous villain, but reinvented as a nuanced, sympathetic figure.