Brianna Slaughter on organizing BLM Kansai / インタビュー:BLM関西オーガナイザー、ブリアナ・スローター
A Q-and-A session with the Kyoto-based Afro Lantinx YouTuber who helped organize the BLM Kansai march in early June. (Available in Japanese and English)
A Q-and-A session with the Kyoto-based Afro Lantinx YouTuber who helped organize the BLM Kansai march in early June. (Available in Japanese and English)
Both Kazuki and Toi emerge from similar circumstances of capitalism, oppression, and the hypermasculine coping mechanisms they’ve been given to deal with the pain of that oppression. It is only through learning to care for one another—and learning that they can care for one another—that they can both be free.
Yes, even the horny catgirl anime can be a lesson in real-world inequality.
If all representation is good representation, then Gankutsuou’s two LGBTQ characters should win out against Dumas’ one. But if we are to examine representation with a more critical eye, it is difficult to conclude that the later reimagining of the story does any more for queer people than does the story as first told some hundred and sixty years before.
As a long-time reader of manga, I always found the medium to be a means of escape to fantastical worlds. Yet, there remained a disconnect between me and the stories I was reading. Discovering I Hear the Sunspot filled that absence with its portrayal of the specific reality of being both gay and Deaf.
My Hero Academia, in its proud declarations of right and wrong, good and evil, heroism and villainy, argues how the world should be. Understanding how My Hero Academia works means understanding what this prescription is, and who gets labeled the villains.
Constantly, in pop culture, we see women being used as an accessory, a love interest, a mother, but in Okazaki’s world, women take the main stage and prove that a female-led manga can be just as impactful as stories focused around men. These two stories explore both the “beauty” and the “beast” contained within their heroines.
Revolutionary Girl Utena has a well-deserved reputation for being difficult to parse. Dense with metaphor, thinly-veiled critique of old shoujo tropes, and allusions to obscure literature, Utena’s style of storytelling relies heavily on its own visual language.
As Kyoko struggles to recover from abuse and trauma, she is encouraged to forgive everyone around her, put her own happiness last, and believe that love cures all. Skip Beat’s prioritization of these ideals over actual healing processes perpetuates unhealthy, even dangerous ideas about recovery.
How can Western fans of Japanese alt-fashion help keep Harajuku brands alive? Although it is at odds with the current opinion that buying second hand is far better than buying clothes new, we must keep buying clothing directly from these independent brands in order to keep their doors open.
You never know when a series you watch on a whim will turn out to be one of your favorites. That’s how I discovered Nobunagun: I just plopped it onto my Crunchyroll queue after seeing my favorite voice actress, Asakawa Yuu, tweeting about it.
Mainstream media tends to over-dramatize or romanticise disability to make the intended able-bodied audience feel pity or inspiration. While I can’t say Perfect World completely escapes these tropes, Aruga still strives to make a narrative that incorporates experiences from the disabled community.
Fruits Basket is a radical work regarding its treatment of mental health because it actively works to destigmatize mental illness, critiquing and dismantling ideas about toxic masculinity through its portrayal of mental health.
Though its depiction of queerness is a bit dated, it’s a powerful portrayal of a bond between women and the life of two young women trying to find their way in the world. It’s also a series that has found itself in a very unique place in discussion for its abrupt hiatus that has lasted for over a decade, with no ending in sight.
Satoko and Nada’s friendship is a great example of why friendships between women with disparate lives are necessary, as the two embrace their differences despite their vastly different backgrounds, protect each other, and offer one another a semblance of family when they’re far from home.
Genos’ characterization explores media representations that contribute to discussions about disability through negotiations of humanization and pathways to power. Although Genos retains able-bodied functions, he shows experiences associated with disability through his anomalous body and how technology interacts with the disabled body today.
At first glance, Ashinano Hitoshi’s 1995 sci-fi world seems no more than a quiet and rural part of modern Japan, but the easygoing protagonists live amidst ruin in what would have been the metropolitan Tokyo Bay. Entire cities have sunk and an untold number of lives have likely been shattered, yet the comic takes solace, even joy, in depicting the beauty of the world as humanity sits back to accept its fate.
It’s easy to think the best solution to any harmful trope is to avoid it altogether and, to an extent, in the short term, this is true. In the long term, however, avoiding a trope entirely can be counterproductive, creating a new harmful trope on the other side of that same coin.
Mad Bull 34 cranks up the absurd action of buddy-cop movies in a way only the animated medium can. But the series and buddy-cop movies in general have a serious flaw: the glorification of police officers who circumvent the rules, as well as police brutality in general.
While old-school sukeban (“boss girls”) anime/manga characters come across as irrational in their anger and resentment toward society (until the very end of their respective series, at least), newer sukeban characters often are more level-headed, using their rebellious spirit to improve their circumstances.