Dad is a Hero, Mom is a Spirit, I’m a Reincarnator – Episode 1
The well-executed elements of the premiere end up overshadowed by fatphobia and the show’s lack of interest in its female characters.
The well-executed elements of the premiere end up overshadowed by fatphobia and the show’s lack of interest in its female characters.
A promising superhero idol premiere that hits high notes but is far from creating the next chart-topping hit, and that’s good for its potential to become something amazing.
One man’s lifelong dream gets centered in a premiere that could be mean-spirited but instead, lets him start down the path to becoming exactly who he knows he is.
It’s competent but choppy and completely devoid of anything worth talking about.
The premise is fun, but the big emotional climax feels unearned – and risks playing into the very tropes the show could be deconstructing instead.
SANDA may be one of the most idiotic shows on TV. That is precisely why it works so well.
It’s hard to tell if this will be an episodic drama or a grand mystery, but there’s a lot of hinted depth to the chronically ill protagonist.
A simple, but well executed, premiere that’ll remind viewers of why they like a good shoujo romance, even if this is only the tender beginnings.
It looks nice, but the adventures of a middle-school boy stalking his crush aren’t exactly endearing.
You can build a villainess story with the same plot progression and sense of conflict, it turns out, by simply giving your protagonist visions of a dark possible future rather than making her a reincarnated gamer.
The summer of depressed small town boys falling for eldritch mountain gods has come to a close, but fall is here for us with depressed small town girls falling for sea monsters! Truly, anime is good.
Sometimes it’s just immensely cathartic to watch a woman punch rich people in the face.
You’ll feel like you rolled a crit fail with this premiere that offers up nothing in exchange for wanting you to invest in a revenge narrative with no legs to stand on.
Do you yearn for a Megatokyo anime that never was? Were you horny for Markiplier in 2016? Is there a powerful urge to rubberneck in your veins?
Viewers will find themselves wishing to be back in the analogue age with a two-part premiere that’s all futuristic chrome but no unique shine when it comes to its overall execution.
This show is off to a good start, and I’m patiently seated at the dinner table to see how its central relationship progresses… and to see some actual monster cooking!
Azusa is indeed relatably awkward and introverted, but she can’t carry an entire show on her back alone.
If “sad wet cat and his protective love interest” is your thing, this is a good time. It just needs to develop beyond the one joke.
It’s still fairly boilerplate, but there’s enough thought put into the “job” element of Takeru’s new life to give it a decent hook.
It’s probably not going to get too deep about its protagonist’s gender-bending (or much else), but it’s also not dragged down by the genre’s more exploitative tropes.