A Misanthrope Teaches a Class for Demi-Humans – Episode 1
I honestly don’t understand who this show is for, because monsterfuckers will get nothing from it, and anybody else will find it astonishingly bland.
I honestly don’t understand who this show is for, because monsterfuckers will get nothing from it, and anybody else will find it astonishingly bland.
It’s poorly written as a mystery show and the last-minute twist makes the whole thing fall completely flat.
Journal with Witch is exquisitely boarded, perfectly edited, and speaks profoundly to the human condition, intimacy, and ambiguities of grief.
The greatest works about childhood must excavate the harm that our systems do to them. Takopi’s Original Sin stretches my tolerance of this excavation to its absolute limits–depicting how abuse and neglect can break the minds of children, with very little in the way of meaningful solutions.
Digimon’s greatest strength as a franchise lies in its character relationships, and this new entry doesn’t seem to understand that at all.
SANDA may be one of the most idiotic shows on TV. That is precisely why it works so well.
Gachiakuta is an angry show, but it’s not yet clear whether it has a goal or will fall into aimless edgelord exploits.
If you loved Nichijou, this creative reunion is largely more of a good thing..
The Summer Hikaru Died is without a doubt worth your time–and I highly recommend it for anybody interested in horror, queer storytelling, experimental animation, or just good anime generally.
Takopi’s Original Sin thoughtfully addresses its heavy themes with gorgeous style, but its graphic imagery make it not to be watched lightly.
Bang Dream: It’s My Go!!!!! and Ave Mujica challenge overly simple distinctions between fake and real that imagine Asian girls as doll-like constructs of femininity and marginalize trans women.
A remarkably lonely premiere that uses the apocalypse to explore a Sisyphus-like absurd heroine robot.
This new entry has a high barrier to entry to new fans, but is well worth the confusion
It’s like I’ve been sent 20 years back in time in the worst possible way.
This isn’t just any old harem: it’s a middle-aged man and his former/current students.
The best way I could describe Once Upon a Witch’s Death is sweet, sentimental, and inoffensive.
Sword of the Demon Hunter wants you to know that it is doing something with the “madonna-whore complex.” Just what it’s doing, it’s not sure about, but it’s very dedicated to doing something!
This might just be the best villainess isekai anime we’ve had in years.
I will try to put my need for gay aside to enjoy for what it is: a beautifully directed, psychologically rich hobby anime.
It desperately wants to evoke the likes of Death Parade and The Apothecary Diaries, but has none of their spark.