All the winter premiere reviews in one easy-to-find place. We’ll update the chart as more series become available, so be sure to check back in the coming days for more!
Visit the AniFem Store and get 15% off your order using the code WINTER23!
We Need Your Help!
We’re dedicated to paying our contributors and staff members fairly for their work—but we can’t do it alone.
You can become a patron for as little as $1 a month, and every single penny goes to the people and services that keep Anime Feminist running. Please help us pay more people to make great content!
Even as someone who loved the show in the past, I’ve found myself becoming more of an onlooker these days. I suppose it’s because I can no longer keep from opening Pandora’s box and exploring the problematic traits of Inoue Orihime, a character whose screen time grows in line with the misogyny of her portrayal.
This show makes me laugh, it makes me cry, but more than anything, it makes me hope. It makes me hope that no matter how bad things get, there will always be a second chance waiting just around the corner. Even two decades after the original manga began publishing, it shines just as brightly. But I’m not here to talk about how much I love Fruits Basket. Today, I’m here to explore one of its most under-discussed problems: its portrayal of queerness.