When thinking of “disability representation” a dark urban fantasy and a former eroge like Tsukihime may not be the first thing that comes to mind, but its unfiltered depictions of Shiki’s experience with his curse, and its overall themes of otherness, isolation, and perspective speak profoundly to the marginalized experience.
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With regards to her own work, Hagio Moto has often talked about how writing boy’s love manga freed her to explore kinds of stories that she felt like she couldn’t tell about female characters, and 1985’s Marginal is a particularly interesting example of how BL comics can be used to talk about women’s experiences of their own gender and the patriarchy.
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