Vrai, Caitlin, and Peter check in with 18 anime of our Fall 2017 premiere digest. Listen to find out our biggest surprises, disappointments, and guilty pleasures of the season along with our top recommended sequels!
San, the titular Princess Mononoke, is a force of nature, uncompromising and undaunted by violence. Raised in nature, she sought to become its hand of vengeance against humanity. A young woman pursuing her own goals against ignorance and petty enmity is a typical (albeit early) example of Hayao Miyazaki’s dedication to well-rounded female characters.
Anime Supremacy!, written by Mizuki Tsujimura and translated by Deborah Boliver Boehm, tells the interconnected stories of three women—a producer, a director, and an animator—working in the anime industry. Not quite a novel and not quite a short story collection, the book is divided into three main chapters, each following one of the protagonists through part of a single anime season.
14-year-old inventors, compensation for panel presenters, and the politics of subtitles.
Last week we talked about female friendship, and it was awesome. Some of the examples sprinkled between those good, good friendships, though, were out-and-out love stories. So today’s the day to celebrate yuri!
Part 4 of the Fushigi Yugi watchalong with Vrai, Dee, and Caitlin! The ensemble cast shines in another strong stretch, but there’s a storm on the horizon, and we ain’t just talking about Soi’s lightning powers. Chiriko gets real. Miaka straps on her chastity belt. Tamahome has a very bad week.
In FLIP FLAPPERS, Cocona and Papika’s trips to Pure Illusion serve as both a genre homage and a character exploration, often touching on themes of coming-of-age and the complicated business of sexual maturation. As part of this trend, Episode Five, “Pure Echo,” develops and explores our heroes and the trials of adolescence by throwing them into a world that combines Class S, a genre of sweet yuri romance, with horror. Now, what in the world could that strange combination be trying to tell us?
When I read Ranma ½ during my first year of high school, I fell in love with Rumiko Takahashi’s signature expressive art. I loved her colorful cast just as much, always getting caught up in over-the-top situations. Like many people, I remember it fondly. Yet the older I get, the harder it is to ignore some of the most problematic aspects of the series, especially how it deals with femininity.
Depressing news about the fight for gender equality, academic studies of BL, and hobby manga.
The world needs more stories about relationships between women, both romantic and platonic. Today we want to highlight the latter: tell us about your favorite female friendships in anime!
I love many things about being a geek: I love researching various pieces of media for their histories and lore, I love the process of reading, watching, or playing the media itself, and I love interacting with other people who share my passion. These activities are viewed not only as normal, but essential to the identity of being a geek.
But replace the word ‘“geek” with the word “autistic,” and suddenly all the traits that were so readily accepted get read as strange and negative. These reactions are a daily reality when you’re a neurodivergent geek due to the overwhelming prevalence of ableism and ignorance in online spaces, which is often stressful and frustrating.
At first glance, A Certain Marriage by Ruri Kumashika is an attractive addition to the expanding collection of LGBT-oriented comics coming out of Japan. It tells the story of Saki Honjo, a Japanese woman who moved to Los Angeles to join her high school girlfriend Anna Abel, and their journey toward marriage. A bitter-sweet story, A Certain Marriage delves into the beauty of gay relationships and the discrimination LGBT people experience. The story, however, ultimately fails to delve into the challenges queer immigrants from Japan face living in America.
A good but heavy week for links. Discussion of sexual assault, harassment, and (poor handling of) mental illness.
Chatty AF is getting deep into its third long-form watchalong, and we want to check in: what series would you like to watch along with us in the future?
Part 3 of the multi-part Fushigi Yugi watchalong with Vrai, Dee, and Caitlin! Amidst another fun stretch of episodes, the sleep-deprived trio talks Dubtales, ‘shipping wars, and isekai appeal. Mitsukake is 1000% done. Chiriko is unappreciated in his time. Tasuki is a very good boy.
Sparse as it was, the Summer 2017 anime season did bring us a number of ambitious projects. Less discussed in my circles, however, was this little show called 18if—understandably so, given its often less-than-stellar animation and lack of an obvious narrative hook. The most distinctive thing about it is easily the production itself: each episode offers lesser-known creatives free reign over a largely self-contained story. Supervised by industry veteran Morimoto Koji (Magnetic Rose, Animatrix), 18if varies wildly from episode to episode in both writing and visual design, which is both a strength and debilitating weakness.
Given the sheer number of promising new titles as well as the limited nature of a premiere review, we’ve decided to try a new, informal “check-in” roundtable to talk about the currently airing shows and our thoughts three episodes into the season. Amelia, Dee, and Vrai got together to talk (and talk!) about the many shows in their queues and how they’re doing a few weeks into the Fall.
20 years of Utena, a deep dive into Japan’s political landscape, and LGBT interviews.
Over the weekend it was announced that Banana Fish—a crime manga from the 1980s that was one of the few to feature prominent gay characters (albeit in some problematic ways)—will be getting an anime adaptation in 2018. Let’s open the doors a little wider.
Amelia, Lauren, and special guest Miranda Sanchez discuss freelance writing in the anime industry.