Yuri!!! On ICE might’ve been one of the best things about 2016. I know that’s is a low bar, but roll with me. It engaged viewers inside and outside anime fandom alike, it offered one of the most positive portrayals of a queer relationship I’ve ever seen in anime, and – most importantly – it’s offered me a chance to talk about Sayo Yamamoto, a director whose works have until now struggled to gain attention despite their high quality. While Mitsurou Kubo has gotten a completely earned bevvy of praise for her hard work writing the story for Yuri!!! on ICE (thanks in no small part, I would suspect, to her availability on social media), any familiarity with Yamamoto’s past works makes it clear that this is very much a joint effort. While many anime directors might not have the same recognizable stamp on their work as the western conception of a (usually film, usually auteur) director, there are exceptions. And Yamomoto, now with three full series under her belt, is proving herself to be as easy to spot as Kon, Watanabe, or Ikuhara.