SPOILERS: for the Evangelion franchise Twenty-six episodes, two movies, a yet-to-be-completed remake/sequel(?) film tetralogy, and a whole lot of fan-wank later, Neon Genesis Evangelion continues to reign as one of anime’s most lucrative, most groundbreaking, and most perplexing works. There are a million-and-one ways we can interpret Evangelion, but as you’ve probably guessed, this article will be looking at it (the original series and The End of Evangelion) from a feminist standpoint. Girls, women, and female-aligned celestial beings play central roles within the series, threading issues of motherhood, female ambition, and sexuality throughout.
Four of the team held a roundtable discussion this week after watching Shin Godzilla, Toho’s third reboot of Godzilla and the 31st film in the franchise, directed by Gainax’s Hideaki Anno and Shinji Higuchi. Read on for insights on the representation of female characters, politics in Japan and the US, the allegory of Godzilla, and comparisons to Evangelion. Spoilers contained for the entirety of Shin Godzilla.