We’re six months old! Celebrate by answering questions with us and checking out our Winter 2017 recs. Also: Japanese feminist blogs, and not all fanservice is created equal.
AniFem turned six months old on April 11th! To celebrate, Dee, Peter, Vrai and I recorded the first ever Q&A episode of our podcast, Chatty AF. Well, episodeS – we asked on Twitter for your questions, and got such a great response we had to record two episodes to answer them all. Those episodes will come out next month. In the meantime, here are versions of some of the questions we answer in the recordings – we’d love to know your answers!
Now we’ve reviewed all the Spring 2017 premieres, we thought we’d round up some of our favourites from shows that ended last season. We talked about three kinds of recommendation: Feminist-friendly favourite (you would recommend it to a feminist friend with no caveats) Problematic favourite (you would only recommend it to a feminist friend with caveats) Surprise favourite (you expected it to have caveats, but actually would recommend it without) Just so you know, every one of us would have picked Showa Genroku Rakugo Shinju for the feminist-friendly favourite. (For those who loved it as much as we do, we highly recommend our own Dee’s insightful episode recaps for both seasons.) To give you a more diverse selection, I asked that only one person cover Rakugo and that the rest come up with other options – easily done, since we all had other anime from the season that we had loved. Here’s what a few of the team thought – let us know your picks in the comments!
Spring premieres are finally over, and we can get down to the good, the bad, and the ugly. Meanwhile, it’s a pretty quiet week in news.
Another season of premieres watched and reviewed! There are a ton of shows this season and multiple big name sequels getting a lot of attention, so let us help you choose how to curate the rest of your viewing.
In Japan after a great calamity, there were two geniuses who dreamed of the future. One was Umatarō Tenma. The other was Hiroshi Ochanomizu. The two labored day and night in robot research — Tenma to create a “god,” and Ochanomizu to create a “friend.” Thus a robot, A106, was born from their collaborative friendship. Source: Anime News Network As a prequel to the classic TV anime of Osamu Tezuka manga Astro Boy, Atom the Beginning comes with the weight of more historical significance than this cartoony introduction can really hold up. In Atom the Beginning two young engineer misfits use up all their funding to create a robot which pushes new boundaries of science in a robot-friendly world – that’s a solid premise for a fun show, and viewers need to expect nothing more.
The prideful archangel Lucifer disobeys God and is cast into the lowest level of hell as a fallen angel. On her way to hell, Lucifer happens to meet a high school girl on Earth named Maria, who helps her. In hell, Lucifer meets Leviathan, and Leviathan explains to Lucifer about The Seven Deadly Sins, the seven demon king rulers of hell. After The Seven Deadly Sins seal Lucifer’s powers, Lucifer goes on a journey with Maria and Leviathan to defeat them. Source: Anime News Network It….it’s porn, y’all. It’s unabashed porn centered around the deep and probing question, “hey, what if Lucifer was a super hot chick?” That’s what you’re getting here.
A boatload of premieres means a slow week for news. Your Name takes the US by storm, BL has some real bad habits, and ’90s nostalgia rears its head.
Humans have been driven to extinction by “Beasts.” The duty of fighting the Beasts fall to “Fairies,” who are destined to use their powers to wield “Holy Swords” called “Kariyon” and eventually meet their destiny of death. A sole human being named Willem wakes up after several hundred years, and continues his fight against the Beasts. Source: Anime News Network In case the absurdly long title didn’t give it away, WorldEnd (or SukaSuka, to use its Japanese shorthand) is an adaptation of a light novel (LN) series. In my almost three years of watching every licensed first episode, I’ve seen a lot of LN adaptation premieres, and while I’ve quite liked a few of them (Rokka and Grimgar, for example), the vast majority tend to be, well… remember Amelia’s Akashic Records review a few days ago? Yeah. They tend to be that. All of which is to say I came in to WorldEnd tentatively hopeful based on the wistful cover art, but pretty well convinced it would disappoint me. I left the premiere pleasantly surprised and more hopeful than ever, even if I can’t quite shake my skepticism. This wasn’t just good “for an LN adaptation” (although I was downright giddy when the protagonist caught two girls and didn’t accidentally grope either of them, which tells you how high the bar’s set for LN anime these days); it has potential to be a really solid fantasy series in general.
Nino, a girl who loves singing, made a childhood promise with her first crush Momo and song-composing Yuzu to someday find her voice. The three went their separate ways, but Nino kept her promise and continued to sing. Years later, the three are now high school students, and Nino is drawn into the world of keionbu or band club. Source: Anime News Network I go into most reviews cold, but I had already reviewed the first volume of the manga so was very curious about how the anime would handle its weaker elements. From my perspective, adaptations are an opportunity to either improve upon flawed source material or elevate already strong material, with completely faithful adaptations a missed opportunity at best. Which would the Anonymous Noise‘s anime be? The answer is: a mixed bag. Some positive decisions to make changes, some misguided decisions to stay faithful, some brand new and terrible decisions in their own right, all mashed into an inconsistent, lumpy first episode.
Zero is a witch who is ignorant of the world and travels with a half-beast half-human mercenary who longs to be human. Witches who practice sorcery exist in the world, however, in this era no one knows how about the art and study of witchcraft. Zero is going on a journey to search for a magical tome called “The Book of Zero” that hides a power that can destroy the world. The mercenary travels with her as her guard. Source: Anime News Network Grimoire of Zero manages to pack an enormous amount of information into its premiere, most of it laser focused on the two main characters, Mercenary and Zero, and the fundamentals of the worldbuilding most relevant to them. We learn more about Mercenary’s situation as a ‘beastfallen’, the opposite to WorldEnd‘s ‘disfeatured’, from the origins of his species to the day-to-day discrimination he experiences. We are introduced to the difference between sorcery and magic, and given some intriguing details about the connection between names and power, witches and religion. It is an impressive amount of detail for a premiere, delivered at a fast enough pace in a (mostly) natural enough way to avoid losing the viewer’s attention. Perhaps more impressive is that it delivers all this information without scrimping on characterisation. This seems to be the story of an odd couple road trip, found family and marginalisation, told through two distinctive and well rounded leads. I’m already looking forward to episode two.
Kazuya Kagami’s most treasured possession in the world is the obi left to him by his late mother. The scent of cherry-blossoms infused into it helps him through his day – but he never expected it to save his life, becoming a beautiful kimono-clad girl who calls herself an “artifact spirit.” Her name is Kiriha, tsukumogami of the sash, who naturally moves in with him, as he is her “owner.” Throw in Chisato, his bespectacled friend, an overprotective older sister who wants to take baths with him, a busty priestess, a seductive sorceress named Kokuyoura, and Kazuya’s life has just gotten a lot more interesting. Source: Anime News Network As that about-face description may suggest, Tsugumomo is two shows crammed into one. The first is an action-fantasy about Kazuya, a mild-mannered, intelligent boy who lost his mother and carried around her obi (sash) as a memento/security blanket for years, imbuing it with energy and love until it became a tsukumogami: an object given sentience and human form. The obi turns into Kiriha, a powerful fighter who’s proud to the point of smugness, and she saves Kazuya by exorcising an evil spirit from one of his classmates. This half of the story is pretty fun! It features an energetic supernatural fight sequence and a few moments of genuine sweetness between Kazuya and Kiriha, along with promises of a meddling shrine maiden joining the cast in the future. As a fan of Shinto-inspired fantasies, I would have been happy to watch a pair of squabbling partners defeat supernatural evil together. Unfortunately, Tsugumomo is two shows, not one. And the other show is this…
Masamune Izumi is a light novel author in high school. His artist, known only as “Eromanga Sensei” is reliable but Masamune has never met him and assumes he’s just a perverted otaku. Masamune’s little sister is Sagiri, a shut-in girl who hasn’t left her room for an entire year. She even forces her brother to make and bring her meals when she stomps the floor. Masamune wants his sister to leave her room, because the two of them are each other’s only family. One day Masamune discovers that Eromanga Sensei and Sagiri are one in the same. Further chaos erupts between the siblings when a beautiful, female, best-selling shōjo manga creator becomes their rival. Source: Anime News Network This is far from the most fanservice-laden premiere of the bunch in terms of pure T&A, but let me assure you it makes up for it with a metric ton of skeeze.
Sota Mizushino wants to tell stories as good as the light novels and anime he enjoys so much, like Elemental Symphony of Vogelchevalier. While watching an episode on his tablet one day, it flickers to show eerie messages like “You cannot escape from here” and “CHANGE BEFORE YOU HAVE TO”. Suddenly, the world around his tablet disintegrates and he finds himself in the situation he has just been watching – the world of Elemental Symphony of Vogelchevalier, where heroine Selesia is piloting her mecha, Vogelchevalier, to defeat a mysterious stranger attacking her with a barrage of flying swords. Realising Sota is there, Selesia dives across to rescue him. She finds herself in Sota’s bedroom, guard up and confused by Sota’s insistence that she is an anime character. This is my favourite premiere so far, and a serious contender for Anime of the Season (comparing like to like and putting aside the great sequels airing right now). Let’s talk about Selesia first.
Two third-year middle school girls, Sumire and Meguri, fight evil as Twin Angels under orders from a hedgehog named Miruku-chan. The girls disagree, but as they work together, little by little they become friendlier with each other. Source: Anime News Network Hey, have you ever seen a magical girl show? Congrats, you’ve seen this one too. Cute mascot, transformation item, an awkward first battle reminiscent of Sailor Moon, the whole nine yards. That’s not a knock on it–the magical girl genre is as storied as sentai, and there are plenty of viewers who find that familiar sort of tale comforting. Just don’t come looking for any wild twists.
Kurogo Kurusu, a high school student who loves kabuki so much that it’s annoying. Kurogo yearns to perform kabuki as part of a club at his school, but currently his school doesn’t have a kabuki club. So Kurogo sets out to create a kabuki club, and his first order of business is to gather members. Source: Anime News Network Kabukibu! is naturally going to get compared to modern masterpiece Showa Genroku Rakugo Shinju just because they’re both about classical Japanese theatre arts, and that’s a shame. Where Rakugo is a sweeping period drama and character study framed by rakugo’s dying popularity and eventual survival, Kabukibu! is a school story about a young person bringing life, enthusiasm and fresh blood to a surviving art form written off as irrelevant. While I appreciate this is the second time this season I’m saying this (I promise I have seen other anime…) the natural point of comparison is Chihayafuru, which Kabukibu! can certainly match for charm.
Hinako is poor at speaking, and lives in a rural part of Japan. She wants to improve her speech to be able to talk to people freely, so in high school, she transfers schools to Tokyo and plans to join a theater club. When she arrives, it turns out her boarding house is a secondhand bookstore, and a girl who eats books lives there. Source: Anime News Network This review is going to come off harsher than I mean for it to, so I apologize in advance for that. With the exception of one totally unnecessary bath tub shot (more on that later), Hinako Note is not bad. It isn’t much of anything, really, and I’m a bit bummed about that, especially given that the premise—a high school first-year with social anxiety moves to Tokyo, lives over a bookstore, and decides to improve her public speaking skills by forming a theatre troupe—is right up this bibliophile and former drama club president’s alley.
Guri is an angel with a mysterious item that turns any two people who kiss into a couple. She appears before a high school boy named Seiji Aino. However, there is a yandere high school girl named Akane who loves Seiji. Source: Anime News Network I feel as if I have been on a journey, readers. I would like you to accompany me on it, that you may truly understand my feelings.
The planet Earth died, got replaced by all gears by some genius named Y. 1000 years later, a kid named Naoto struggles to fix a clock but loves gears so much that the universe rewards him with his very own robot-woman, RyuZU, who vows eternal servitude to him by way of fellating his finger. There’s also a young girl genius called Meister Marie who is doing some kind of investigation and occasionally forgetting to put on clothes that cover her crotch. This will be a pretty short review.
Akane Mizuno and Kotaro Azumi are two third-year middle school students who become classmates for the first time. Akane is a member of the school track team and Kotaro is the literary club president who loves books and wants to become a writer. The two seem an unlikely romantic pair, and the people and situations around them make that possibility even more difficult. Source: Anime News Network I like nothing more than a well-done romance, and while I tend to prefer things more plotty and less slice of life, one of my favourite films of all time is Whisper of the Heart. However, the romance in Whisper of the Heart succeeds because it establishes 1) a basis for attraction between the two leads, 2) a basis for conflict in their relationship, and 3) a character development arc for each of them as individuals. In its first episode Tsuki ga Kirei shows us the barest hint of attraction, some potential for character growth and no conflict. “Parents who acknowledge each other’s existence in a positive way” isn’t exactly the biggest roadblock out there for a middle school romance.